Download & Stream “Baby, Scratch My Back” by Whitehorse here. Make sure you don’t miss Whitehorse when they’re in your town. Subscribe to their tour dates here.

Toxic lakes, wellness clinics and mud-caked bodies: the cardinal direction of Ensign Broderick’s BloodCrush is a saline fever dream, calibrated to the cultish wraith waste vibes of California’s Imperial Valley. Inspired by pilgrimage, anti-war protests, Decca-era Stones and Smetana, BloodCrush is the first new collection from an artist who announced himself earlier in 2018 with four archival albums of wildly ambitious, hyper-referential art pop, a fraction of his forty years’ of recordings.

Itches, urges, dirges and scourges: welcome back to The Northern South. Whitehorse makes their return to the early days of electric blues with the second installment of a project that melds original grooves and melodies with the duo’s steamy, swampy, squalling approach. There’s foreplay, foreboding, fever and Fenders, plenty of them, from top to bottom, with cuts from Howlin’ Wolf, Willie Dixon, Jimmy Reed and Slim Harpo and more.

Tanya Tagaq’s stunning new book, Split Tooth, hits the shelves on Tuesday, September 25, but it’s already been added to his year’s Giller Prize long list. The long list was selected by a five-member jury made up of Canadian writer and journalist Kamal Al-Solaylee(Jury Chair); playwright Maxine Bailey, who is vice-president of advancement for the Toronto International Film Festival; American writer John Freeman; English novelist Philip Hensher and Canadian author Heather O’Neill.

The Wet Secrets banded together with director Jay Lawrence to create this retro shape-shifting music video for the band’s single “Give It To Me Straight.” Head over to Exclaim.ca to catch the full story and video. The Wet Secrets will be in Hamburg, Germany next week to perform at the annual Reeperbahn festival.

Itches, urges, dirges and scourges: welcome back to The Northern South. Whitehorse makes their return to the early days of electric blues with the second instalment of a project that melds original grooves and melodies with the duo’s steamy, swampy, squalling approach. There’s foreplay, foreboding, fever and Fenders — plenty of them — with cuts from Howlin’ Wolf, Willie Dixon, Jimmy Reed, Slim Harpo and more.

Six Shooter Records, one of Canada’s leading independent labels and a bastion of innovative artists, announces a new direct distribution deal with The Orchard for digital and physical releases in all territories outside of Canada. This new partnership will bring Six Shooter Records’ catalogue, which spans nearly 20 years and over 100 titles, into The Orchard’s international family.

Since Ensign Broderick made his solo debut with Feast of Panthers in March, the Toronto-based pianist/composer has released three additional full-length albums, including Beauty Nor Ashes, Ranger and Only Love Remains. Only Love Remains, out today, is the fourth and final archival album to be released before a new album arrives this fall.

Six Shooter Records is excited to announce that Morgan Coates and Matt Maw have joined the label and management teams in the Toronto office, effectively immediately.

Six Shooter is thrilled to welcome northern indie roots band The Jerry Cans and emerging Inuttitut pop songwriter Riit to the artist management roster.

Ensign Broderick released his latest companion piece to Feast of Panthers and Beauty Nor Ashes today. Stream, buy or download Ranger here. Join us on Tuesday, May 29 for the official Ensign Broderick Albums Release Party in Toronto.

Interstellar Rodeo shines the light on the sounds and stories from north of the 60th parallel with this year’s Interlude performers, where artists from the Northwest Territories and Nunavut represent 50% of the Interludes lineup.