High Priestess Publishing Expands Roster With New Signings Lana Winterhalt And Jesse Northey.

High Priestess Publishing and Six Shooter Records are pleased to welcome Temi Argyropoulos to the team as Publishing and Sync Manager, a role that will see industry veteran Argyropoulos working with a wide scope of repertoire including the label’s extensive 20-year catalogue, Six Shooter’s own publishing company Girl On A Horse, which represents Tanya Tagaq, Amelia Curran, Zaki Ibrahim and more, and new venture High Priestess Publishing, run by Kim Temple Naruto Bleach 2.6. “Music licensing has always been my passion,” says Argyropoulos. “From film and TV placements to big advertisements and video game trailers, it’s always been a thrill to see creative efforts come to fruition.”  

2020 sync highlights included blockbuster placements for The Dead South’s “In Hell I’ll Be In Good Company,” which hit the Global Shazam Top 50 after it appeared in Netflix’s Umbrella Academy Season 2 Automatic download of chrome images. The song also recently appeared in American Gods (Starz). As the size and scope of the rosters grow, Six Shooter’s publishing reach continues to expand in new directions mod_url 다운로드. “Temi will be instrumental in helping us grow our publishing and sync divisions,” says Temple, Director of Licensing & Publishing. “With her background and experience, along with the relationships she’s fostered over the years, she’s an incredible addition to our team.”

On the subject of growth, High Priestess builds on its first year successes with two new signings to start 2021 Download the device app. Winnipeg songwriter Lana Winterhalt, whose work includes the recently released EP Still, is making her name with a mix of contemplative instrumental songs, unabashed pop jams and cinematic anthems 모야모 다운로드. High Priestess also welcomes the multitalented, many-hatted Jesse Northey (formerly of Jesse and the Dandelions), who will set his sights on composing/scoring for film and television under Temple’s direction.

In High Priestess’ first year of operations, Temple signed Witch Prophet, James Baley, DJ/Producer SUN SUN, and Zaki Ibrahim for outside writing and scoring. Witch Prophet’s DNA Activation was shortlisted for the Polaris Music Prize in 2020 and her short film “Tesfay,” will be featured at the SXSW Film Festival in March. James Baley’s collaborations with U.S.Girls, July Talk and Badge Epoque Ensemble put him in the spotlight in 2020. His much-anticipated solo project “A Story” will be released in Spring 2021.

Listen to the official High Priestess playlist here. 

ABOUT TEMI ARGYROPOULOS 

Temi Argyropoulos is a familiar name in the Canadian music industry and music supervision community.  It all started in the mid 90s at MCA Records where Temi began her licensing career in mechanical licensing and found her knack for licensing in all forms, including compilations, and eventually synchronization. For the past 20 years, she’s worked with many talented artists and songwriters at Warner Music Canada, Sony Music Entertainment Canada and most recently, Anthem Entertainment. 

ABOUT LANA WINTERHELT

Multi-instrumentalist, producer, composer and artist Lana Winterhalt delivers enigmatic and layered compositions inspired by breakups, insomnia, and true love. She sings with warm restraint over piano ballads like Diamonds and Right, and mines playful pop melodies on her debut full-length album If & When (2018). Winterhalt’s production is at once experimental, warm and bold (Maybe I’m Just Tired – remix).

On her EPs Still and Hold On To Me, written during the pandemic, she experiments with minimalist lyrics leading the listener on an existential journey while offering up reassurance through beauty, art and religion. Her repertoire also includes neo-classical instrumentals like “It Was Pouring Rain Then Just Like That The Sun Was Shining,” reminiscent of fellow Canadians Alexandra Stréliski and Jean-Michel Blais. Her latest EP Still offers a soothing backdrop for uplifting meditation, reflection, and decompression. File next to: Lucy Dacus, Enya and Feist.

ABOUT JESSE NORTHEY

There is neither smoke nor mirror when it comes to Jesse Northey’s music. Rather, the goal is to explode the artificed facade: of masculinity, of names, of ambition itself.

But he has done much: he’s a recording engineer, producer, composer and, of course, musician in his own right. Once a frontman for Jesse and the Dandelions, Onion Knight is Northey’s first album under his own name, unfettered. Produced by Thomas D’Arcy (The Sheepdogs, NOBRO, Yukon Blonde), the album is a shirking off of the combative way we have with our emotions, the effort we put into obfuscating (or hewing away) our intuitive meaning, especially when it comes to the intersect of gender and feeling. “It’s okay to be sensitive and sincere, that’s a strong quality and not something that is a weakness,” he says.

Newly signed to Toronto’s freshest publishing company, High Priestess, Jesse has recently started composing and producing bespoke songs and scores for film and television.

Established in 2000 in Toronto, Six Shooter Records is a full-service music company with a diverse roster that includes artists in the genres of Americana, country, rock, and avant-garde 공포의 묘지 다운로드. In addition to being a label and a publisher, the company also provides artist management services. Since its inception, Six Shooter has released over 140 albums Vista ServicePack1. Our artists have been consistently recognized in national award programs, including the JUNO Awards, Polaris Music Prize, SOCAN Awards, Canadian Folk Music Awards, and others 픽토그램 ai 다운로드.

Ours is a fast-paced, friendly environment with an enterprising culture. We seek a new member of our marketing team, who will be key in performing day-to-day duties Download ai suite 3.

Responsibilities will be as follows:
– Provide assistance to the VP Marketing
– Schedule, attend, and take notes at all marketing meetings
– Act as a stopgap at meetings when VP Marketing is unable to attend
– Be the central communication hub for the department (internally & externally)
– Manage and communicate with international promo teams
– Project Management: follow up with team members to ensure tasks are completed
– Assemble marketing plans
– Take responsibility for all marketing grants
– Track budgets
– Research, build and maintain key marketing databases
– Customize targets for each release
– Write (or hire writers) for all company communications (Horizon Line, Top Ten, Newsletters, etc.); schedule and send
– Provide support to the entire department when needed
– Other duties as required

Requirements:
– Experience in the Canadian music industry for 2+ years
– Self-starter who brings a diverse perspective, with exceptional attention to detail, solid time management skills and the ability to multi-task and prioritize, while staying ahead of deadlines in a fast-moving environment
– Excellent written and verbal communication skills
– Excellent interpersonal skills
– Proficiency with top social media platforms (e.g Vegas Pro. Facebook, Instagram, TikTok, Twitter, etc.)
– Proficiency in MS Office, Google Suite, Dropbox and Slack
– Experience with online newsletter logistics and distribution

Nice to Haves & Attributes:
– Education related to the music business or other related field
– Basic knowledge of Adobe Suite of products
– Basic knowledge of Notion
– Proficiency with various funding bodies
– Optimistic minded with positive energy and outlook
– Passionate about music with a solid grasp of the Canadian music scene and willingness to keep up with industry events and news
– Thrive in a fast-paced and dynamic environment; a team player, willing to pitch in whenever needed

Job Specs:
Position: Marketing Department Coordinator
Reporting to: VP Marketing
Hours: Monday-Friday 10:00AM – 6:00PM
Location: Temporarily remote, due to COVID-19. Toronto, ON post-COVID.
Compensation: Salary range from 40K-50K to be determined commensurate with experience, and health benefits.
Application Deadline: Feb 12, 2021

Please send a cover letter describing your experience, along with your resume (in one PDF) by email to info@sixshooterrecords.com with subject line “Marketing Department Coordinator Job Application”.

No phone calls please.

We invite applications from all qualified candidates, especially from people who identify as racialized, Indigenous, differently abled, and persons of any sexual orientation or gender identity. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disabilities Act for applicants invited to an interview.

TRAVEL TO GOSPEL FIRST NATION WITH TITLE TRACK AND ARTIST STATEMENT VIDEO OUT TODAY.

“I am a resident of Gospel First Nation.”

Watch the powerful and poetic artist statement for William Prince’s Gospel First Nation, filmed in and around Peguis First Nation and Fisher Bay, Manitoba spring 첨부 파일 다운로드.

The Prince Memorial Chapel, a one-room, wood-sided building, has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart adobe pdf converter.
 
On Gospel First Nation, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace citra. These are songs he learned and sang with his father in that chapel named for his great grandfathers, all preachers. William’s family home, the community of Peguis First Nation, is named for Prince’s ancestor, Chief Peguis, one of the highest regarded leaders of his time Lost Arc. When Chief Peguis was baptized, he took the name William King; in keeping with royal protocol, as an expression of pride and with the unknown weight of the consequences of all of the decisions he made with the arrival of colonizers on the land, named his children Princes sysprep CEO. Like names, the songs of Gospel First Nation link generations, from son to father to grandfather and back even further.

Before we even listen, the song selection on Gospel First Nation tells us much about who and where this album comes from. There are three originals, including “When Jesus Needs an Angel,” a song Prince wrote at age 14. The other new songs, including the title track, were written shortly after Prince’s sophomore album Reliever was released in early 2020. These songs emerged as a natural response to the worry and disruption of the time. “We are living through an age of grief; grieving our lives, routines and families at the hand of a pandemic. I found myself wishing to return to this place of comfort amidst all the chaos.”

“Higher Power,” was written by Bob Norman, a First Nations man from the Meadow Lake region of Saskatchewan. The song grapples with alcohol addiction and places its trust in those powers greater than us. “Higher Power” sits alongside the album’s other traditional gospel selections as part of a songbook of guidance and comfort learned from Prince’s father and community. “All His Children,” is a tune made unforgettable by Charley Pride, one of country music’s most important stars. “This One I Know,” was written by Edward Prince, William’s father, who recorded and released his own records, sold out the trunk of his car across Northern Manitoba, one with the very same photo of the Prince Memorial Chapel on the cover. 

As a collection, Gospel First Nation is as much about physical place as spiritual direction. The album’s country gospel sound is a distinct musical imprint of a part of the world where “You could sit for hours and only hear the sound of the trees keepin’ the lake and sky apart.” Prince’s sonic touchstones grew in a remote rural network of towns and families, the Interlake Region, where live music was usually in the service of healing. This “21^stCentury Northern-Interlake Country Gospel Sound” is also the product of Prince’s childhood home, where the classic American country canon provided a constant soundtrack. With the addition of ‘Manitoba fiddle,’ gentle guitar strums, swaying steel and unhurried tempo travel alongside Prince’s deep, soothing voice.

To listen to the album’s title track and to pre-save/pre-order Gospel First Nation, click here.

GOSPEL FIRST NATION TRACK LIST:

1. Gospel First Nation
2. Higher Power
3. When He Cometh
4. All His Children
5. When Jesus Needs an Angel
6. Just a Closer Walk with Thee
7. Send the Light
8. Does Jesus Care? 
9. This One I Know
10. Love Don’t Ever Say Goodbye

In this special edition of Horizon Line, writer/producer Anupa Mistry writes about the music of Zaki Ibrahim, who recently re-released two back catalog albums, Eclectica (Episodes in Purple) and Orbit: A Postcoital Prequel gfxcardstatus. Click here to subscribe to the newsletter.

“For most of the year and a half that I lived outside of Toronto I was homesick 장화홍련 다운로드. I took every chance I could to leave the teeming American metropolis that was my temporary home, and the flight, especially on a clear day, was often the best part of returning pdf 바로 다운로드. My eyes would follow the clouds making shadows on the grey-green waves of Lake Ontario below until the city’s perpetually-unfinished skyline emerged in the distance arial unicode ms 다운로드. It was there, heart hanging in the sky over the city, that entire neighbourhoods separated by winding avenues and highways compressed into a feeling that’s the closest I’ve come to a sense of belonging 바둑 무료 다운로드.

Shortly after touchdown, the holistic effect invariably dissolved when gentrification, poverty, and increased segregation — ongoing realities of contemporary life in Toronto — became visible.

To simulate that sky-high sense of connection, I listen to Zaki Ibrahim. Through her catalogue, which spans three EPs and two LPs, it’s possible to access the version of Toronto that, perhaps, only exists as a feeling. Zaki’s music is an atmosphere unto itself. Bass-powered and melodic, it is the sort of warm sound that fills up small bars and watering holes across the city, leaving the cold front windows with an offering of dew. Despite this potency, the music isn’t concerned with persuasion. Instead, like Zaki herself, it meanders across vast distances — from Cape Town to Vancouver — in search of resonances.

Toronto urbanist Jay Pitter writes about “forgotten densities.” It’s a term that accounts for the people, neighbourhoods, and housing situations that aren’t captured by demographic analysis that favours a more utopian, middle class, progressively planned kind of urban density. When I listen to Zaki’s music I can hear sounds of these forgotten densities; children’s chatter seeping into apartment corridors, tinny music blaring from headphones on the night bus, the din and methodical clank of the production floor. Through a shared sense of tenacity, of finding a way in Toronto, Zaki illuminates these ‘forgotten resonances.’ The only other time I can feel the city pulsing as a whole is from the sky above.”

Join Zaki Tuesday, October 6 at 11 pm EST for a special Facebook Live Watch Party, where Zaki will be available to chat and answer questions during a special presentation of “The Inbetween Time”, a “love letter to OTA Live”, an iconic late night radio talk show that aired between 2005 – 2011 on Toronto’s Flow 93.5 FM. Zaki spoke with its hosts about her own history in both the Vancouver and Toronto music scenes. Click here to join the party.

You can get your own copy of Zaki’s music via our webstore.