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Don’t be fooled, folks! The image below is of a fake Instagram account created by someone claiming to be our VP of Marketing + Publicity, Emily Smart, and we’re sharing it to spread the word that it is a scam mms 주소 다운로드.

Some friendly reminders to artists: we don’t offer record deals via DM, nor will we ever ask you for money or for sensitive personal information, like your passport, banking info or ID 차이나는 클라스 다운로드.

The only official ways to contact us are via our verified social accounts (look for the blue checkmark) and through the contact info listed on our website Download the battery app. Any other email addresses or social media accounts claiming to be someone who works for us, or claiming to be one of our artists, should be reported for impersonation and spam Crashfind.dll.

Stay safe out there!


High Priestess Publishing Expands Roster With New Signings Lana Winterhalt And Jesse Northey.

High Priestess Publishing and Six Shooter Records are pleased to welcome Temi Argyropoulos to the team as Publishing and Sync Manager, a role that will see industry veteran Argyropoulos working with a wide scope of repertoire including the label’s extensive 20-year catalogue, Six Shooter’s own publishing company Girl On A Horse, which represents Tanya Tagaq, Amelia Curran, Zaki Ibrahim and more, and new venture High Priestess Publishing, run by Kim Temple Naruto Bleach 2.6. “Music licensing has always been my passion,” says Argyropoulos. “From film and TV placements to big advertisements and video game trailers, it’s always been a thrill to see creative efforts come to fruition.”  

Temi Argyropoulous

2020 sync highlights included blockbuster placements for The Dead South’s “In Hell I’ll Be In Good Company,” which hit the Global Shazam Top 50 after it appeared in Netflix’s Umbrella Academy Season 2 Automatic download of chrome images. The song also recently appeared in American Gods (Starz). As the size and scope of the rosters grow, Six Shooter’s publishing reach continues to expand in new directions mod_url 다운로드. “Temi will be instrumental in helping us grow our publishing and sync divisions,” says Temple, Director of Licensing & Publishing. “With her background and experience, along with the relationships she’s fostered over the years, she’s an incredible addition to our team.”

On the subject of growth, High Priestess builds on its first year successes with two new signings to start 2021 Download the device app. Winnipeg songwriter Lana Winterhalt, whose work includes the recently released EP Still, is making her name with a mix of contemplative instrumental songs, unabashed pop jams and cinematic anthems 모야모 다운로드. High Priestess also welcomes the multitalented, many-hatted Jesse Northey (formerly of Jesse and the Dandelions), who will set his sights on composing/scoring for film and television under Temple’s direction.

In High Priestess’ first year of operations, Temple signed Witch Prophet, James Baley, DJ/Producer SUN SUN, and Zaki Ibrahim for outside writing and scoring. Witch Prophet’s DNA Activation was shortlisted for the Polaris Music Prize in 2020 and her short film “Tesfay,” will be featured at the SXSW Film Festival in March. James Baley’s collaborations with U.S.Girls, July Talk and Badge Epoque Ensemble put him in the spotlight in 2020. His much-anticipated solo project “A Story” will be released in Spring 2021.

Listen to the official High Priestess playlist here

Jesse Northey
Lana Winterhalt


Temi Argyropoulos is a familiar name in the Canadian music industry and music supervision community.  It all started in the mid 90s at MCA Records where Temi began her licensing career in mechanical licensing and found her knack for licensing in all forms, including compilations, and eventually synchronization. For the past 20 years, she’s worked with many talented artists and songwriters at Warner Music Canada, Sony Music Entertainment Canada and most recently, Anthem Entertainment. 


Multi-instrumentalist, producer, composer and artist Lana Winterhalt delivers enigmatic and layered compositions inspired by breakups, insomnia, and true love. She sings with warm restraint over piano ballads like Diamonds and Right, and mines playful pop melodies on her debut full-length album If & When (2018). Winterhalt’s production is at once experimental, warm and bold (Maybe I’m Just Tired – remix).

On her EPs Still and Hold On To Me, written during the pandemic, she experiments with minimalist lyrics leading the listener on an existential journey while offering up reassurance through beauty, art and religion. Her repertoire also includes neo-classical instrumentals like “It Was Pouring Rain Then Just Like That The Sun Was Shining,” reminiscent of fellow Canadians Alexandra Stréliski and Jean-Michel Blais. Her latest EP Still offers a soothing backdrop for uplifting meditation, reflection, and decompression. File next to: Lucy Dacus, Enya and Feist.


There is neither smoke nor mirror when it comes to Jesse Northey’s music. Rather, the goal is to explode the artificed facade: of masculinity, of names, of ambition itself.

But he has done much: he’s a recording engineer, producer, composer and, of course, musician in his own right. Once a frontman for Jesse and the Dandelions, Onion Knight is Northey’s first album under his own name, unfettered. Produced by Thomas D’Arcy (The Sheepdogs, NOBRO, Yukon Blonde), the album is a shirking off of the combative way we have with our emotions, the effort we put into obfuscating (or hewing away) our intuitive meaning, especially when it comes to the intersect of gender and feeling. “It’s okay to be sensitive and sincere, that’s a strong quality and not something that is a weakness,” he says.

Newly signed to Toronto’s freshest publishing company, High Priestess, Jesse has recently started composing and producing bespoke songs and scores for film and television.


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The Dead South announce Served Live Venue Bingo, a creative fundraiser that shines the light on venues around the world to promote and support the work being done to stabilize the live music industry during the pandemic – and beyond – by three organizations: NIVA (#SaveOurStages, USA), Music Venue Trust (#SaveOurVenues, UK) and CIVC (#SupportCanadianVenues, Canada). 

For a band that has made its name on the road, show after show, Served Live Venue Bingo aims to give back to those whose livelihoods are connected to touring, and those who have been instrumental in helping The Dead South at every step along their way 일정표 다운로드. Served Live Venue Bingo will take place online, worldwide, on February 20, 2021. For details and to play, click here.  

Served Live, The Dead South’s new live album, is out Friday, January 29 Download The Attack on The Adult Empire. The album, recorded in iconic venues in the USA, Canada and UK on a tour that has now been postponed to 2021-2022, is a complete set list experience. The liner notes thank the band’s tireless road crew, from tour manager to sound tech, merch team, drivers and more segoe ui 폰트 다운로드. With Served Live, the band offers fans a snapshot of their lauded show, with all of the energy, spontaneity and musicianship of a band built for the road, on the road. 

Click here to listen to Served Live liveleak 동영상 다운로드.


Established in 2000 in Toronto, Six Shooter Records is a full-service music company with a diverse roster that includes artists in the genres of Americana, country, rock, and avant-garde 공포의 묘지 다운로드. In addition to being a label and a publisher, the company also provides artist management services. Since its inception, Six Shooter has released over 140 albums Vista ServicePack1. Our artists have been consistently recognized in national award programs, including the JUNO Awards, Polaris Music Prize, SOCAN Awards, Canadian Folk Music Awards, and others 픽토그램 ai 다운로드.

Ours is a fast-paced, friendly environment with an enterprising culture. We seek a new member of our marketing team, who will be key in performing day-to-day duties Download ai suite 3.

Responsibilities will be as follows:
– Provide assistance to the VP Marketing
– Schedule, attend, and take notes at all marketing meetings
– Act as a stopgap at meetings when VP Marketing is unable to attend
– Be the central communication hub for the department (internally & externally)
– Manage and communicate with international promo teams
– Project Management: follow up with team members to ensure tasks are completed
– Assemble marketing plans
– Take responsibility for all marketing grants
– Track budgets
– Research, build and maintain key marketing databases
– Customize targets for each release
– Write (or hire writers) for all company communications (Horizon Line, Top Ten, Newsletters, etc.); schedule and send
– Provide support to the entire department when needed
– Other duties as required

– Experience in the Canadian music industry for 2+ years
– Self-starter who brings a diverse perspective, with exceptional attention to detail, solid time management skills and the ability to multi-task and prioritize, while staying ahead of deadlines in a fast-moving environment
– Excellent written and verbal communication skills
– Excellent interpersonal skills
– Proficiency with top social media platforms (e.g Vegas Pro. Facebook, Instagram, TikTok, Twitter, etc.)
– Proficiency in MS Office, Google Suite, Dropbox and Slack
– Experience with online newsletter logistics and distribution

Nice to Haves & Attributes:
– Education related to the music business or other related field
– Basic knowledge of Adobe Suite of products
– Basic knowledge of Notion
– Proficiency with various funding bodies
– Optimistic minded with positive energy and outlook
– Passionate about music with a solid grasp of the Canadian music scene and willingness to keep up with industry events and news
– Thrive in a fast-paced and dynamic environment; a team player, willing to pitch in whenever needed

Job Specs:
Position: Marketing Department Coordinator
Reporting to: VP Marketing
Hours: Monday-Friday 10:00AM – 6:00PM
Location: Temporarily remote, due to COVID-19. Toronto, ON post-COVID.
Compensation: Salary range from 40K-50K to be determined commensurate with experience, and health benefits.
Application Deadline: Feb 12, 2021

Please send a cover letter describing your experience, along with your resume (in one PDF) by email to with subject line “Marketing Department Coordinator Job Application”.

No phone calls please.

We invite applications from all qualified candidates, especially from people who identify as racialized, Indigenous, differently abled, and persons of any sexual orientation or gender identity. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disabilities Act for applicants invited to an interview.


The Dead South always planned to document the Served Cold World Tour, which would take the band from their hometown of Regina, Saskatchewan through 200 shows in over 20 countries Parted magic. Now, with show postponements into 2022, the band offers fans a snapshot of their lauded live show with Served Live, a double live album and complete set list collection recorded at venues across North America, UK and Ireland in 2019-2020 바이두클라우드 다운로드. A fitting offering for a “touring band without a tour,” Served Live captures the energy, spontaneity and musicianship of a band built for the road, on the road. 

To make the new video for “The Recap,” The Dead South asked fans to share their own favourite captured show moments, recorded over years of touring java virtual machine. The result celebrates the people and places that are part of The Dead South’s story, from Murphy’s Pub, a tiny bar in Leduc, AB to Red Rocks Amphitheatre and many stops in between oracle 10g linux 다운로드. Watch “The Recap” Fans Edition and count how many clubs, festivals and cities you’ve experienced, on stage or in the crowd. 

WATCH HERE little Nicola.

“The Recap” is found on The Dead South’s album Good Company. “The Recap was one of the first songs we ever wrote,” says banjoist Colton Crawford. “It was also the first music video we filmed. This song really helped kickstart this whole thing, and we’re happy it’s become such a fan favorite.”

Meanwhile, The Dead South’s songs have continued to travel even further afield, soundtracking superheroes and socially distanced dancers alike. From the Houston Ballet’s stunning piece “Restoration,” set to “Black Lung” (from The Dead South’s most recent album Sugar & Joy) to the Global Shazam chart kaboom catalyzed by the appearance of “In Hell I’ll Be In Good Company” in Umbrella Academy Season 2, 2020 also brought a William Shatner blues cover and an invite to perform on the Nashville Film Festival’s salute to O Brother, Where Art Thou?

Updated and rescheduled tour dates for the Served Cold World Tour are listed below.


STOCKHOLM, SE: STHLM Americana Fest, June 11

OSLO, NO: OSLO Americana Fest, June 12

COPENHAGEN, DK: CPH Americana Fest, June 13

AARHUS, DK: Fonden Voxhall, June 15

SAARBRUCKEN, DE: Garage, June 17

SCHEESSEL, DE: Hurricane Festival, June 18

NEUHAUSEN OB ECK, DE: Southside Festival, June 19

TUNBRIDGE WELLS, UK: Black Deer Festival, June 20

CAMBRIDGE, UK: Cambridge Junction, June 22

COVENTRY, UK: Empire Coventry, June 23

CARDIFF, UK: Tramshed Cardiff, June 24

LILLE, FR: L’Aéronef, June 27 

AARAU, CH: Kiff, June 29

SANKT GALLEN, CH: Kulturfestival, June 30

CAMROSE, AB: Big Valley Jamboree, Jul 31

SEATTLE, WA: Showbox SODO, Aug 3

SPOKANE, WA: Knitting Factory, Aug 5

MISSOULA, MT: Big Sky Brewing Co, Aug 7

SALT LAKE CITY, UT: The Depot, Aug 9

GRAND JUNCTION, CO: The Amphitheatre at Los Colonias Park, Aug 10

DENVER, CO: Denver Botanic Gardens, Aug 11

KANSAS CITY, MO: Grinders Crossroads, Aug 13

MINNEAPOLIS, MN: The Fillmore, Aug 15

MILWAUKEE, WI: Pabst Theatre, Aug 16

FORT WAYNE, IN: The Clyde Theatre, Aug 18

COLUMBUS, OH: Newport Music Hall, Aug 20

OKLAHOMA CITY, OK: Tower Theatre, Sept 12

AUSTIN, TX: Scoot Inn, Sept 13

SAN ANTONIO, TX: Aztex Theatre, Sept 14

HOUSTON, TX: House of Blues, Sept 15

NEW ORLEANS, LA: House of Blues, Sept 17

HUNTSVILLE, AL: Mars Music Hall, Sept 18

KNOXVILLE, TN: The Mill & Mine, Sept 19

BIRMINGHAM, AL: Iron City Bham, Sept 20

DES MOINES, IA: Brenton Skating Plaza, Sept 26

MADISON, WI: The Sylvee, Sept 27

CHICAGO, IL: House of Blues, Sept 29

DETROIT, MI: The Fillmore, Sept 30

INDIANAPOLIS, IN: Old National Centre, Oct 1

PELHAM, TN: The Cavners, Oct 2 + Oct 3

WIESBADEN, DE: Kulturzentrum Schlachthof, Nov 2

AMSTERDAM, NL: Melkweg, Nov 3


HAMBURG, DE: Docks, Nov 7

STUTTGART, DE: LKA Longhorn, Nov 8

NURNBERG, DE: Hirsch, Nov 9

BERLIN, DE: Columbiahalle, Nov 10

KRAKÓW, PL: Klub Studio, Nov 12

WARSAW, PL: Palladium, Nov 13

GDA?SK, PL: Stary Mane?, Nov 14

DRESDEN, DE: Alter Schlachthof, Nov 15

WROC?AW, PL: Center Concert, Nov 16

BUDAPEST, HU: Akvárium Klub, Nov 18

BRATISLAVA, SK: Majestic Music Club, Nov 19

KARLÍN, CZ: Forum Karlín, Nov 20

GRAZ, AT: PPC, Nov 21

UTRECHT, NL: Tivoli Vrendenburg, Mar 2

ANTWERP, BE: De Roma, Mar 3

COPENHAGEN, DK: Amager Bio, Mar 5

STOCKHOLM, SE: Debaser Hornstulls Strand, Mar 6

OLSO, NO: Sentrum Scene, Mar 7

HANOVER, DE: Capitol Hannover, Mar 9

LEIPZIG, DE: Werk 2, Mar 10

COLOGNE, DE: E-Werk, Mar 11

ZÜRICH, CH: Volkhaus, Mar 12

MUNICH, DE: Tonhalle, Mar 14

WIEN, AT: Gasometer, Mar 15

FRANKFURT, DE: Batschkapp, Mar 16

LONDON, UK: 02 Empire Shepherds Bush, Mar 18

MANCHESTER, UK: Albert Hall, Mar 19

PARIS, FR: La Cigale, Apr 11

STRASBOURG, FR: La Laiterie Artefact, Apr 12

LAUSANNE, CH: Les Docks, Apr 13

LYON, FR: Ninkasi Gerland, Apr 15

MILAN, IT: Alcatrez, Apr 16

TOULOUSE, FR: Le Metronum, Apr 19

ZARAGOZA, ES: Espacio Las Armas, Apr 20

MADRID, ES: Sala Mon Live, Apr 21

VALENCIA, ES: Sala Moon, Apr 22

BARCELONA, ES: Razzmatazz, Apr 23

BILBAO, ES: Kafe Antzokia, Apr 25



Our first release of 2021 is The Dead South‘s Served Live, their first double live album, a true rite of passage for any band 코렐드로우 x4 다운로드. Remember the olden days when The Dead South could actually serve us live? That seems like so long ago that it could have been when The Dead South’s old timey outfits were still the current fashion of the day 비상 mp3 다운로드! Served Live will be out later this month, but you can shop new t-shirts and pre-orders HERE

Recorded during the Served Cold World Tour, which traveled the USA, UK and Ireland before the pandemic pressed pause on all the things we love, Served Live is a full concert set list recorded at iconic and beloved venues, from London’s Brixton Academy and Denver’s Mission Ballroom to The Belasco Theatre in LA 별에서 온 그대 다운로드. Featuring new material from the JUNO Award winning album Sugar & Joy, alongside the band’s top charting, global viral mega hits from previous records, Served Live puts you in the front row (assuming you sit closer to the speakers than your pets do) in your own home, where we hope you’ll stay safe files from the web server.

With Served Live, The Dead South celebrate the hard-working, music-loving people who make tours happen, from venue owners to agents to promoters 스냅스 글꼴 다운로드. It’s been a pretty rough year for the live music industry, so every boot stomp and finger snap and banjo twiddle means a lot!

Served Live will be released January 29, 2021 via Six Shooter Records.




Listen to all ten tracks here.

Watch William Prince perform songs from Gospel First Nation live on Sunday, October 25 @ 11am CT / 12pm ET here Download the Android youtube video.

“Gospel is by definition ‘the good news,’ says William Prince, about his new album, Gospel First Nation, out today 건곤일월 다운로드. “Everything considered, all that feels appropriate right now are the songs my family used to sing during wakes and funerals. Songs for families in need of comfort Zoara app. These songs were capable of lifting spirits in the darkest of times. I witnessed it on many occasions. They provided hope and relief. A subject I addressed earlier this year 꽃보다청춘 아이슬란드 다운로드. Maybe that message needs continuing throughout this time. This next story has been a hundred years in the making.” 

On Gospel First Nation, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace 일한사전 다운로드. These are songs he learned and sang with his father in the chapel named for his great grandfathers, all preachers. “This album is an amalgamation of two realms. I am as much the grandson of Chief Peguis, the founder of Peguis First Nation, as I am Edward Prince Sr., one of the founding Christian pastors of that same community. I have tried reflecting on what Chief Peguis must have felt when the time came to embrace Christianity for the betterment of his community. When he became known as William King, whose sons then became Princes. The rest is the history I’m trying to understand.” 

Travel to Peguis First Nation and Fisher Bay, Manitoba in William Prince’s artist statement. Watch here



“I am a resident of Gospel First Nation.”

Watch the powerful and poetic artist statement for William Prince’s Gospel First Nation, filmed in and around Peguis First Nation and Fisher Bay, Manitoba spring 첨부 파일 다운로드.

The Prince Memorial Chapel, a one-room, wood-sided building, has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart adobe pdf converter.
On Gospel First Nation, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace citra. These are songs he learned and sang with his father in that chapel named for his great grandfathers, all preachers. William’s family home, the community of Peguis First Nation, is named for Prince’s ancestor, Chief Peguis, one of the highest regarded leaders of his time Lost Arc. When Chief Peguis was baptized, he took the name William King; in keeping with royal protocol, as an expression of pride and with the unknown weight of the consequences of all of the decisions he made with the arrival of colonizers on the land, named his children Princes sysprep CEO. Like names, the songs of Gospel First Nation link generations, from son to father to grandfather and back even further.

Before we even listen, the song selection on Gospel First Nation tells us much about who and where this album comes from. There are three originals, including “When Jesus Needs an Angel,” a song Prince wrote at age 14. The other new songs, including the title track, were written shortly after Prince’s sophomore album Reliever was released in early 2020. These songs emerged as a natural response to the worry and disruption of the time. “We are living through an age of grief; grieving our lives, routines and families at the hand of a pandemic. I found myself wishing to return to this place of comfort amidst all the chaos.”

“Higher Power,” was written by Bob Norman, a First Nations man from the Meadow Lake region of Saskatchewan. The song grapples with alcohol addiction and places its trust in those powers greater than us. “Higher Power” sits alongside the album’s other traditional gospel selections as part of a songbook of guidance and comfort learned from Prince’s father and community. “All His Children,” is a tune made unforgettable by Charley Pride, one of country music’s most important stars. “This One I Know,” was written by Edward Prince, William’s father, who recorded and released his own records, sold out the trunk of his car across Northern Manitoba, one with the very same photo of the Prince Memorial Chapel on the cover. 

As a collection, Gospel First Nation is as much about physical place as spiritual direction. The album’s country gospel sound is a distinct musical imprint of a part of the world where “You could sit for hours and only hear the sound of the trees keepin’ the lake and sky apart.” Prince’s sonic touchstones grew in a remote rural network of towns and families, the Interlake Region, where live music was usually in the service of healing. This “21stCentury Northern-Interlake Country Gospel Sound” is also the product of Prince’s childhood home, where the classic American country canon provided a constant soundtrack. With the addition of ‘Manitoba fiddle,’ gentle guitar strums, swaying steel and unhurried tempo travel alongside Prince’s deep, soothing voice.

To listen to the album’s title track and to pre-save/pre-order Gospel First Nation, click here.


1. Gospel First Nation
2. Higher Power
3. When He Cometh
4. All His Children
5. When Jesus Needs an Angel
6. Just a Closer Walk with Thee
7. Send the Light
8. Does Jesus Care? 
9. This One I Know
10. Love Don’t Ever Say Goodbye



Established in 2000 in Toronto, Six Shooter Records is a full-service music company with a diverse roster that includes artists in the genres of Americana, country, rock, and avant-garde take 5. In addition to being a label and a publisher, the company also provides artist management services.
Since its inception, Six Shooter has released over 140 albums 경력증명서 양식 다운로드. Our artists have been consistently recognized in national award programs, including the JUNO Awards, Polaris Music Prize, SOCAN Awards, Canadian Folk Music Awards, and others 일본어 ime 다운로드.

Ours is a fast-paced, friendly environment with an enterprising culture. We seek a part-time intern, who will be key in performing day-to-day duties 오비트 다운로드. Responsibilities will be as follows:

Webstore management: order fulfilment, inventory control, customer service, creating new products and promotions Download American Gangster.

Digital administration: YouTube claim spot checks, merchandise copyright claims, promotion and set list tracking for live shows and live streams, uploading and formatting new tracks and lyrics, executing radio e-blasts.

Office management: answering the phone, sending messages, process mail and couriers, database upkeep, place supply orders, maintain office cleanliness, monitor general mailbox email accounts.

Ability to lift up to approximately 40lbs and move that load up and down stairs.

Job Specs:
Position: Label Intern
Contract Period: 6 months
Reporting to: Director of Operations
Compensation: $15/hour
Hours: Monday-Friday 10:00AM – 1:00PM (15hrs/week)
Location: In office (Toronto) Monday/Wednesday/Friday (note: you would be working by yourself or with one other person. Social distancing rules in effect – it’s a pretty big office).
Application Deadline: October 23rd, 2020

Please send a cover letter describing your experience, along with your resume (in one PDF) by email to with subject line “Intern Job Application”.

We invite applications from all qualified candidates, especially from people who identify as racialized, Indigenous, differently abled, and persons of any sexual orientation or gender identity. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disabilities Act for applicants invited to an interview.


In this special edition of Horizon Line, writer/producer Anupa Mistry writes about the music of Zaki Ibrahim, who recently re-released two back catalog albums, Eclectica (Episodes in Purple) and Orbit: A Postcoital Prequel gfxcardstatus. Click here to subscribe to the newsletter.

“For most of the year and a half that I lived outside of Toronto I was homesick 장화홍련 다운로드. I took every chance I could to leave the teeming American metropolis that was my temporary home, and the flight, especially on a clear day, was often the best part of returning pdf 바로 다운로드. My eyes would follow the clouds making shadows on the grey-green waves of Lake Ontario below until the city’s perpetually-unfinished skyline emerged in the distance arial unicode ms 다운로드. It was there, heart hanging in the sky over the city, that entire neighbourhoods separated by winding avenues and highways compressed into a feeling that’s the closest I’ve come to a sense of belonging 바둑 무료 다운로드.

Shortly after touchdown, the holistic effect invariably dissolved when gentrification, poverty, and increased segregation — ongoing realities of contemporary life in Toronto — became visible.

To simulate that sky-high sense of connection, I listen to Zaki Ibrahim. Through her catalogue, which spans three EPs and two LPs, it’s possible to access the version of Toronto that, perhaps, only exists as a feeling. Zaki’s music is an atmosphere unto itself. Bass-powered and melodic, it is the sort of warm sound that fills up small bars and watering holes across the city, leaving the cold front windows with an offering of dew. Despite this potency, the music isn’t concerned with persuasion. Instead, like Zaki herself, it meanders across vast distances — from Cape Town to Vancouver — in search of resonances.

Toronto urbanist Jay Pitter writes about “forgotten densities.” It’s a term that accounts for the people, neighbourhoods, and housing situations that aren’t captured by demographic analysis that favours a more utopian, middle class, progressively planned kind of urban density. When I listen to Zaki’s music I can hear sounds of these forgotten densities; children’s chatter seeping into apartment corridors, tinny music blaring from headphones on the night bus, the din and methodical clank of the production floor. Through a shared sense of tenacity, of finding a way in Toronto, Zaki illuminates these ‘forgotten resonances.’ The only other time I can feel the city pulsing as a whole is from the sky above.”

Join Zaki Tuesday, October 6 at 11 pm EST for a special Facebook Live Watch Party, where Zaki will be available to chat and answer questions during a special presentation of “The Inbetween Time”, a “love letter to OTA Live”, an iconic late night radio talk show that aired between 2005 – 2011 on Toronto’s Flow 93.5 FM. Zaki spoke with its hosts about her own history in both the Vancouver and Toronto music scenes. Click here to join the party.

You can get your own copy of Zaki’s music via our webstore.



“Futuristic soul at its best” – Afropunk

Zaki Ibrahim continues to double back on the past with two more mind-expanding albums from her catalogue arriving worldwide today. Eclectica (Episodes in Purple), originally released in 2008,will now be available as a deluxe digital album with new songs, “The New Black” and “My Baby.” Orbit: A Post-Coital Prequel, first recorded as a Red Bull South Africa session and a staple of Ibrahim’s exquisite live performances, will also come to streaming platforms for the first time Don't love download. “The opportunity to release the back catalogue now, in this time, helps me honour that body of work. It’s a way to move through the past, and to come back to the future,” Ibrahim shares Dxsdk. “It’s also a way to have agency over this music, and to lay a foundation for new music to come.”

“The New Black,” available on the new deluxe offering of Eclectica (Episodes in Purple), originated as a CBC Bandwidth commission 윈도우10 .net framework 3.5 다운로드. A poem changed hands from artists Andre Ethier to Jenny Whiteley, then to Ibrahim and DJ L’Oquenz, where it was transformed into a droning, beat-driven call for higher consciousness Game of Thrones Season 8 5. Purple, a color of connection and awareness, unites the songs on Eclectica. The album is a project of understanding the sacral through manifesting positive change, locating agency in technology, and opening up to limitless possibility Download audiere.dll. Along with newly surfaced songs, Eclectica is also the origin of fan favourite grooves of “Computer Girl” and “Grow Again,” as well Philadelphia DJ/composer/curator King Britt’s “Money” mix.

The arrival of Orbit: A Post-Coital Prequel in 2020 highlights Ibrahim’s experiences of time as an overlapping, circuitous and repetitive force. As a ‘spiral body of music that tells a love story of twin stars,’ Orbit’s four-song voyage is a story that writes itself in looping, infinite chapters. A tale of love and togetherness, Orbit: A Post-Coital Prequel is a deep and dizzying journey.

In June 2020, Ibrahim embarked on a project to reconfigure and rerelease her genre and continent-spanning catalogue. As an opportunity to reflect on intention and outcome and as a conversation with past selves, the reissue experience is as much a process of recovery as discovery. As part of this journey, Ibrahim reconnected with Reza + Ty, the hosts of scene-shaping Toronto radio show O.T.A. Live, to revisit these times and places. In this new interview, Ibrahim discusses her journey, which spans the west coast, South Africa and Toronto. Ibrahim also paints a picture of her musical influences, her own creative process, and the community of artists and collaborators that helped shape her sound. WATCH HERE

Explore the Iqra Box, the first in a series of wellness box collections curated by Ibrahim and showcasing Black creators, Black-owned businesses and wellness providers. The Iqra box contains objects, experiences and art that informed and inspired the ‘orange’ era, and includes a Reiki workshop, incense, a copy of bell hooks’ All About Love and more. Learn more and enter to win HERE.

Stream Eclectica (Episodes in Purple) and Orbit: A Post-Coital Prequel on all platforms worldwide on September 25, 2020.

Elliott BROOD share new song “Bird Dog” from their forthcoming album “Keeper.”

아프리카 vod 다운로드
Directed and edited by Stephen Dutcheshen

Elliott BROOD approach the release of Keeper, an album about loyalty and resilience, with a new song out today seagull sounds. As the second song shared from Keeper, “Bird Dog” is a metaphor for companionship. When the lines between those who chase and those who run get blurry, the song reminds us that in partnerships, we are seldom only one or the other Game of Progress Giant.

“Bird Dog” is one of two songs on Keeper mixed by Tool/Johnny Cash producer Sylvia Massy, where metallic glints of steel strings backdrop a gallop across the Great Smoky Mountains Stone Age Hack Download. “Working with Sylvia was the kind of an opportunity we couldn’t turn down. Her track record speaks for itself and her name is on the credits for a ton of albums we listen to,” says the band. “She understood the essence of the song from the first note and then took that version and ran it through a wash of countrified psychedelic haze 서이추 프로그램 다운로드. Sometimes you need a new set of ears on a mix and it don’t hurt to get two of the best ears in the business on the job.”