The Dead South always planned to document the Served Cold World Tour, which would take the band from their hometown of Regina, Saskatchewan through 200 shows in over 20 countries Parted magic. Now, with show postponements into 2022, the band offers fans a snapshot of their lauded live show with Served Live, a double live album and complete set list collection recorded at venues across North America, UK and Ireland in 2019-2020 바이두클라우드 다운로드. A fitting offering for a “touring band without a tour,” Served Live captures the energy, spontaneity and musicianship of a band built for the road, on the road. 

To make the new video for “The Recap,” The Dead South asked fans to share their own favourite captured show moments, recorded over years of touring java virtual machine. The result celebrates the people and places that are part of The Dead South’s story, from Murphy’s Pub, a tiny bar in Leduc, AB to Red Rocks Amphitheatre and many stops in between oracle 10g linux 다운로드. Watch “The Recap” Fans Edition and count how many clubs, festivals and cities you’ve experienced, on stage or in the crowd. 

WATCH HERE little Nicola.

“The Recap” is found on The Dead South’s album Good Company. “The Recap was one of the first songs we ever wrote,” says banjoist Colton Crawford. “It was also the first music video we filmed. This song really helped kickstart this whole thing, and we’re happy it’s become such a fan favorite.”

Meanwhile, The Dead South’s songs have continued to travel even further afield, soundtracking superheroes and socially distanced dancers alike. From the Houston Ballet’s stunning piece “Restoration,” set to “Black Lung” (from The Dead South’s most recent album Sugar & Joy) to the Global Shazam chart kaboom catalyzed by the appearance of “In Hell I’ll Be In Good Company” in Umbrella Academy Season 2, 2020 also brought a William Shatner blues cover and an invite to perform on the Nashville Film Festival’s salute to O Brother, Where Art Thou?

Updated and rescheduled tour dates for the Served Cold World Tour are listed below.


STOCKHOLM, SE: STHLM Americana Fest, June 11

OSLO, NO: OSLO Americana Fest, June 12

COPENHAGEN, DK: CPH Americana Fest, June 13

AARHUS, DK: Fonden Voxhall, June 15

SAARBRUCKEN, DE: Garage, June 17

SCHEESSEL, DE: Hurricane Festival, June 18

NEUHAUSEN OB ECK, DE: Southside Festival, June 19

TUNBRIDGE WELLS, UK: Black Deer Festival, June 20

CAMBRIDGE, UK: Cambridge Junction, June 22

COVENTRY, UK: Empire Coventry, June 23

CARDIFF, UK: Tramshed Cardiff, June 24

LILLE, FR: L’Aéronef, June 27 

AARAU, CH: Kiff, June 29

SANKT GALLEN, CH: Kulturfestival, June 30

CAMROSE, AB: Big Valley Jamboree, Jul 31

SEATTLE, WA: Showbox SODO, Aug 3

SPOKANE, WA: Knitting Factory, Aug 5

MISSOULA, MT: Big Sky Brewing Co, Aug 7

SALT LAKE CITY, UT: The Depot, Aug 9

GRAND JUNCTION, CO: The Amphitheatre at Los Colonias Park, Aug 10

DENVER, CO: Denver Botanic Gardens, Aug 11

KANSAS CITY, MO: Grinders Crossroads, Aug 13

MINNEAPOLIS, MN: The Fillmore, Aug 15

MILWAUKEE, WI: Pabst Theatre, Aug 16

FORT WAYNE, IN: The Clyde Theatre, Aug 18

COLUMBUS, OH: Newport Music Hall, Aug 20

OKLAHOMA CITY, OK: Tower Theatre, Sept 12

AUSTIN, TX: Scoot Inn, Sept 13

SAN ANTONIO, TX: Aztex Theatre, Sept 14

HOUSTON, TX: House of Blues, Sept 15

NEW ORLEANS, LA: House of Blues, Sept 17

HUNTSVILLE, AL: Mars Music Hall, Sept 18

KNOXVILLE, TN: The Mill & Mine, Sept 19

BIRMINGHAM, AL: Iron City Bham, Sept 20

DES MOINES, IA: Brenton Skating Plaza, Sept 26

MADISON, WI: The Sylvee, Sept 27

CHICAGO, IL: House of Blues, Sept 29

DETROIT, MI: The Fillmore, Sept 30

INDIANAPOLIS, IN: Old National Centre, Oct 1

PELHAM, TN: The Cavners, Oct 2 + Oct 3

WIESBADEN, DE: Kulturzentrum Schlachthof, Nov 2

AMSTERDAM, NL: Melkweg, Nov 3


HAMBURG, DE: Docks, Nov 7

STUTTGART, DE: LKA Longhorn, Nov 8

NURNBERG, DE: Hirsch, Nov 9

BERLIN, DE: Columbiahalle, Nov 10

KRAKÓW, PL: Klub Studio, Nov 12

WARSAW, PL: Palladium, Nov 13

GDA?SK, PL: Stary Mane?, Nov 14

DRESDEN, DE: Alter Schlachthof, Nov 15

WROC?AW, PL: Center Concert, Nov 16

BUDAPEST, HU: Akvárium Klub, Nov 18

BRATISLAVA, SK: Majestic Music Club, Nov 19

KARLÍN, CZ: Forum Karlín, Nov 20

GRAZ, AT: PPC, Nov 21

UTRECHT, NL: Tivoli Vrendenburg, Mar 2

ANTWERP, BE: De Roma, Mar 3

COPENHAGEN, DK: Amager Bio, Mar 5

STOCKHOLM, SE: Debaser Hornstulls Strand, Mar 6

OLSO, NO: Sentrum Scene, Mar 7

HANOVER, DE: Capitol Hannover, Mar 9

LEIPZIG, DE: Werk 2, Mar 10

COLOGNE, DE: E-Werk, Mar 11

ZÜRICH, CH: Volkhaus, Mar 12

MUNICH, DE: Tonhalle, Mar 14

WIEN, AT: Gasometer, Mar 15

FRANKFURT, DE: Batschkapp, Mar 16

LONDON, UK: 02 Empire Shepherds Bush, Mar 18

MANCHESTER, UK: Albert Hall, Mar 19

PARIS, FR: La Cigale, Apr 11

STRASBOURG, FR: La Laiterie Artefact, Apr 12

LAUSANNE, CH: Les Docks, Apr 13

LYON, FR: Ninkasi Gerland, Apr 15

MILAN, IT: Alcatrez, Apr 16

TOULOUSE, FR: Le Metronum, Apr 19

ZARAGOZA, ES: Espacio Las Armas, Apr 20

MADRID, ES: Sala Mon Live, Apr 21

VALENCIA, ES: Sala Moon, Apr 22

BARCELONA, ES: Razzmatazz, Apr 23

BILBAO, ES: Kafe Antzokia, Apr 25



Our first release of 2021 is The Dead South‘s Served Live, their first double live album, a true rite of passage for any band 코렐드로우 x4 다운로드. Remember the olden days when The Dead South could actually serve us live? That seems like so long ago that it could have been when The Dead South’s old timey outfits were still the current fashion of the day 비상 mp3 다운로드! Served Live will be out later this month, but you can shop new t-shirts and pre-orders HERE

Recorded during the Served Cold World Tour, which traveled the USA, UK and Ireland before the pandemic pressed pause on all the things we love, Served Live is a full concert set list recorded at iconic and beloved venues, from London’s Brixton Academy and Denver’s Mission Ballroom to The Belasco Theatre in LA 별에서 온 그대 다운로드. Featuring new material from the JUNO Award winning album Sugar & Joy, alongside the band’s top charting, global viral mega hits from previous records, Served Live puts you in the front row (assuming you sit closer to the speakers than your pets do) in your own home, where we hope you’ll stay safe files from the web server.

With Served Live, The Dead South celebrate the hard-working, music-loving people who make tours happen, from venue owners to agents to promoters 스냅스 글꼴 다운로드. It’s been a pretty rough year for the live music industry, so every boot stomp and finger snap and banjo twiddle means a lot!

Served Live will be released January 29, 2021 via Six Shooter Records.


Listen to all ten tracks here.

Watch William Prince perform songs from Gospel First Nation live on Sunday, October 25 @ 11am CT / 12pm ET here Download the Android youtube video.

“Gospel is by definition ‘the good news,’ says William Prince, about his new album, Gospel First Nation, out today 건곤일월 다운로드. “Everything considered, all that feels appropriate right now are the songs my family used to sing during wakes and funerals. Songs for families in need of comfort Zoara app. These songs were capable of lifting spirits in the darkest of times. I witnessed it on many occasions. They provided hope and relief. A subject I addressed earlier this year 꽃보다청춘 아이슬란드 다운로드. Maybe that message needs continuing throughout this time. This next story has been a hundred years in the making.” 

On Gospel First Nation, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace 일한사전 다운로드. These are songs he learned and sang with his father in the chapel named for his great grandfathers, all preachers. “This album is an amalgamation of two realms. I am as much the grandson of Chief Peguis, the founder of Peguis First Nation, as I am Edward Prince Sr., one of the founding Christian pastors of that same community. I have tried reflecting on what Chief Peguis must have felt when the time came to embrace Christianity for the betterment of his community. When he became known as William King, whose sons then became Princes. The rest is the history I’m trying to understand.” 

Travel to Peguis First Nation and Fisher Bay, Manitoba in William Prince’s artist statement. Watch here



“I am a resident of Gospel First Nation.”

Watch the powerful and poetic artist statement for William Prince’s Gospel First Nation, filmed in and around Peguis First Nation and Fisher Bay, Manitoba spring 첨부 파일 다운로드.

The Prince Memorial Chapel, a one-room, wood-sided building, has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart adobe pdf converter.
On Gospel First Nation, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace citra. These are songs he learned and sang with his father in that chapel named for his great grandfathers, all preachers. William’s family home, the community of Peguis First Nation, is named for Prince’s ancestor, Chief Peguis, one of the highest regarded leaders of his time Lost Arc. When Chief Peguis was baptized, he took the name William King; in keeping with royal protocol, as an expression of pride and with the unknown weight of the consequences of all of the decisions he made with the arrival of colonizers on the land, named his children Princes sysprep CEO. Like names, the songs of Gospel First Nation link generations, from son to father to grandfather and back even further.

Before we even listen, the song selection on Gospel First Nation tells us much about who and where this album comes from. There are three originals, including “When Jesus Needs an Angel,” a song Prince wrote at age 14. The other new songs, including the title track, were written shortly after Prince’s sophomore album Reliever was released in early 2020. These songs emerged as a natural response to the worry and disruption of the time. “We are living through an age of grief; grieving our lives, routines and families at the hand of a pandemic. I found myself wishing to return to this place of comfort amidst all the chaos.”

“Higher Power,” was written by Bob Norman, a First Nations man from the Meadow Lake region of Saskatchewan. The song grapples with alcohol addiction and places its trust in those powers greater than us. “Higher Power” sits alongside the album’s other traditional gospel selections as part of a songbook of guidance and comfort learned from Prince’s father and community. “All His Children,” is a tune made unforgettable by Charley Pride, one of country music’s most important stars. “This One I Know,” was written by Edward Prince, William’s father, who recorded and released his own records, sold out the trunk of his car across Northern Manitoba, one with the very same photo of the Prince Memorial Chapel on the cover. 

As a collection, Gospel First Nation is as much about physical place as spiritual direction. The album’s country gospel sound is a distinct musical imprint of a part of the world where “You could sit for hours and only hear the sound of the trees keepin’ the lake and sky apart.” Prince’s sonic touchstones grew in a remote rural network of towns and families, the Interlake Region, where live music was usually in the service of healing. This “21stCentury Northern-Interlake Country Gospel Sound” is also the product of Prince’s childhood home, where the classic American country canon provided a constant soundtrack. With the addition of ‘Manitoba fiddle,’ gentle guitar strums, swaying steel and unhurried tempo travel alongside Prince’s deep, soothing voice.

To listen to the album’s title track and to pre-save/pre-order Gospel First Nation, click here.


1. Gospel First Nation
2. Higher Power
3. When He Cometh
4. All His Children
5. When Jesus Needs an Angel
6. Just a Closer Walk with Thee
7. Send the Light
8. Does Jesus Care? 
9. This One I Know
10. Love Don’t Ever Say Goodbye



Established in 2000 in Toronto, Six Shooter Records is a full-service music company with a diverse roster that includes artists in the genres of Americana, country, rock, and avant-garde take 5. In addition to being a label and a publisher, the company also provides artist management services.
Since its inception, Six Shooter has released over 140 albums 경력증명서 양식 다운로드. Our artists have been consistently recognized in national award programs, including the JUNO Awards, Polaris Music Prize, SOCAN Awards, Canadian Folk Music Awards, and others 일본어 ime 다운로드.

Ours is a fast-paced, friendly environment with an enterprising culture. We seek a part-time intern, who will be key in performing day-to-day duties 오비트 다운로드. Responsibilities will be as follows:

Webstore management: order fulfilment, inventory control, customer service, creating new products and promotions Download American Gangster.

Digital administration: YouTube claim spot checks, merchandise copyright claims, promotion and set list tracking for live shows and live streams, uploading and formatting new tracks and lyrics, executing radio e-blasts.

Office management: answering the phone, sending messages, process mail and couriers, database upkeep, place supply orders, maintain office cleanliness, monitor general mailbox email accounts.

Ability to lift up to approximately 40lbs and move that load up and down stairs.

Job Specs:
Position: Label Intern
Contract Period: 6 months
Reporting to: Director of Operations
Compensation: $15/hour
Hours: Monday-Friday 10:00AM – 1:00PM (15hrs/week)
Location: In office (Toronto) Monday/Wednesday/Friday (note: you would be working by yourself or with one other person. Social distancing rules in effect – it’s a pretty big office).
Application Deadline: October 23rd, 2020

Please send a cover letter describing your experience, along with your resume (in one PDF) by email to with subject line “Intern Job Application”.

We invite applications from all qualified candidates, especially from people who identify as racialized, Indigenous, differently abled, and persons of any sexual orientation or gender identity. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disabilities Act for applicants invited to an interview.


In this special edition of Horizon Line, writer/producer Anupa Mistry writes about the music of Zaki Ibrahim, who recently re-released two back catalog albums, Eclectica (Episodes in Purple) and Orbit: A Postcoital Prequel gfxcardstatus. Click here to subscribe to the newsletter.

“For most of the year and a half that I lived outside of Toronto I was homesick 장화홍련 다운로드. I took every chance I could to leave the teeming American metropolis that was my temporary home, and the flight, especially on a clear day, was often the best part of returning pdf 바로 다운로드. My eyes would follow the clouds making shadows on the grey-green waves of Lake Ontario below until the city’s perpetually-unfinished skyline emerged in the distance arial unicode ms 다운로드. It was there, heart hanging in the sky over the city, that entire neighbourhoods separated by winding avenues and highways compressed into a feeling that’s the closest I’ve come to a sense of belonging 바둑 무료 다운로드.

Shortly after touchdown, the holistic effect invariably dissolved when gentrification, poverty, and increased segregation — ongoing realities of contemporary life in Toronto — became visible.

To simulate that sky-high sense of connection, I listen to Zaki Ibrahim. Through her catalogue, which spans three EPs and two LPs, it’s possible to access the version of Toronto that, perhaps, only exists as a feeling. Zaki’s music is an atmosphere unto itself. Bass-powered and melodic, it is the sort of warm sound that fills up small bars and watering holes across the city, leaving the cold front windows with an offering of dew. Despite this potency, the music isn’t concerned with persuasion. Instead, like Zaki herself, it meanders across vast distances — from Cape Town to Vancouver — in search of resonances.

Toronto urbanist Jay Pitter writes about “forgotten densities.” It’s a term that accounts for the people, neighbourhoods, and housing situations that aren’t captured by demographic analysis that favours a more utopian, middle class, progressively planned kind of urban density. When I listen to Zaki’s music I can hear sounds of these forgotten densities; children’s chatter seeping into apartment corridors, tinny music blaring from headphones on the night bus, the din and methodical clank of the production floor. Through a shared sense of tenacity, of finding a way in Toronto, Zaki illuminates these ‘forgotten resonances.’ The only other time I can feel the city pulsing as a whole is from the sky above.”

Join Zaki Tuesday, October 6 at 11 pm EST for a special Facebook Live Watch Party, where Zaki will be available to chat and answer questions during a special presentation of “The Inbetween Time”, a “love letter to OTA Live”, an iconic late night radio talk show that aired between 2005 – 2011 on Toronto’s Flow 93.5 FM. Zaki spoke with its hosts about her own history in both the Vancouver and Toronto music scenes. Click here to join the party.

You can get your own copy of Zaki’s music via our webstore.



“Futuristic soul at its best” – Afropunk

Zaki Ibrahim continues to double back on the past with two more mind-expanding albums from her catalogue arriving worldwide today. Eclectica (Episodes in Purple), originally released in 2008,will now be available as a deluxe digital album with new songs, “The New Black” and “My Baby.” Orbit: A Post-Coital Prequel, first recorded as a Red Bull South Africa session and a staple of Ibrahim’s exquisite live performances, will also come to streaming platforms for the first time Don't love download. “The opportunity to release the back catalogue now, in this time, helps me honour that body of work. It’s a way to move through the past, and to come back to the future,” Ibrahim shares Dxsdk. “It’s also a way to have agency over this music, and to lay a foundation for new music to come.”

“The New Black,” available on the new deluxe offering of Eclectica (Episodes in Purple), originated as a CBC Bandwidth commission 윈도우10 .net framework 3.5 다운로드. A poem changed hands from artists Andre Ethier to Jenny Whiteley, then to Ibrahim and DJ L’Oquenz, where it was transformed into a droning, beat-driven call for higher consciousness Game of Thrones Season 8 5. Purple, a color of connection and awareness, unites the songs on Eclectica. The album is a project of understanding the sacral through manifesting positive change, locating agency in technology, and opening up to limitless possibility Download audiere.dll. Along with newly surfaced songs, Eclectica is also the origin of fan favourite grooves of “Computer Girl” and “Grow Again,” as well Philadelphia DJ/composer/curator King Britt’s “Money” mix.

The arrival of Orbit: A Post-Coital Prequel in 2020 highlights Ibrahim’s experiences of time as an overlapping, circuitous and repetitive force. As a ‘spiral body of music that tells a love story of twin stars,’ Orbit’s four-song voyage is a story that writes itself in looping, infinite chapters. A tale of love and togetherness, Orbit: A Post-Coital Prequel is a deep and dizzying journey.

In June 2020, Ibrahim embarked on a project to reconfigure and rerelease her genre and continent-spanning catalogue. As an opportunity to reflect on intention and outcome and as a conversation with past selves, the reissue experience is as much a process of recovery as discovery. As part of this journey, Ibrahim reconnected with Reza + Ty, the hosts of scene-shaping Toronto radio show O.T.A. Live, to revisit these times and places. In this new interview, Ibrahim discusses her journey, which spans the west coast, South Africa and Toronto. Ibrahim also paints a picture of her musical influences, her own creative process, and the community of artists and collaborators that helped shape her sound. WATCH HERE

Explore the Iqra Box, the first in a series of wellness box collections curated by Ibrahim and showcasing Black creators, Black-owned businesses and wellness providers. The Iqra box contains objects, experiences and art that informed and inspired the ‘orange’ era, and includes a Reiki workshop, incense, a copy of bell hooks’ All About Love and more. Learn more and enter to win HERE.

Stream Eclectica (Episodes in Purple) and Orbit: A Post-Coital Prequel on all platforms worldwide on September 25, 2020.

Elliott BROOD share new song “Bird Dog” from their forthcoming album “Keeper.”

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Directed and edited by Stephen Dutcheshen

Elliott BROOD approach the release of Keeper, an album about loyalty and resilience, with a new song out today seagull sounds. As the second song shared from Keeper, “Bird Dog” is a metaphor for companionship. When the lines between those who chase and those who run get blurry, the song reminds us that in partnerships, we are seldom only one or the other Game of Progress Giant.

“Bird Dog” is one of two songs on Keeper mixed by Tool/Johnny Cash producer Sylvia Massy, where metallic glints of steel strings backdrop a gallop across the Great Smoky Mountains Stone Age Hack Download. “Working with Sylvia was the kind of an opportunity we couldn’t turn down. Her track record speaks for itself and her name is on the credits for a ton of albums we listen to,” says the band. “She understood the essence of the song from the first note and then took that version and ran it through a wash of countrified psychedelic haze 서이추 프로그램 다운로드. Sometimes you need a new set of ears on a mix and it don’t hurt to get two of the best ears in the business on the job.” 

Statement: Six Shooter Company Training and Accountability

Content warning = sexual misconduct

We are addressing the reports of sexual misconduct against Danny Kenyon of The Dead South from women who have been harmed Download the barcode. These reports are of incidents from years before we started working with Danny and the band. They show a pattern of behaviour that is unsafe. Danny has stepped down from the band.  You can read the band’s statement here Love fee mp3 download.

We take this very seriously. We believe victims and survivors of sexual assault and are committed to centering their wellbeing. As a company, we strive to engage in consent-based interactions, to respect personal boundaries, and to provide an environment free from harassment, discrimination, bullying and violence for our community clip studio paint ex. The Six Shooter Code of Conduct, included in its entirety below, reflects these values. Individualized artist codes of conduct are in various stages of development 와썹맨 다운로드.

The current situation has made it clear that we need to make training a top priority. Our first session, scheduled for August 25 and 26, will address the subject of consent Fashion City mr. We have invited and encouraged all of our staff, artists, crew, and agents to participate. We have contracted Good Night Out, who delivered training for Interstellar Rodeo on creating a safer space at our festival. This training is essential, and one of the many steps we will take as a company toward creating safer environments for our community.

We recognize that this situation impacts our community in different ways. We have sought professional assistance to help us create and undertake a responsible, thorough, and accountable process. We acknowledge that it may seem slow. Our deliberation comes from a place of thoughtfulness and care. We greatly hope to achieve a restorative conclusion to this important matter.

We are also engaged in an ongoing discussion about The Dead South’s song “Banjo Odyssey” and our responsibility as a record label with respect to both artistic expression and social responsibility. We feel it is important to allow the time for a thoughtful and thorough process before taking action.

Six Shooter Code of Conduct

We recognize that we are in a position of great opportunity and privilege. We also recognize that we have much work to do, and we are dedicated to the process of learning and training to help us understand and adhere to these values as we go forward.

Everyone has a responsibility to build safer, respectful, and positive workplaces. We commit ourselves to observing a Code of Conduct, which includes:
• Working to create a supportive and positive environment.
• Treating each other with respect and kindness, both publicly and privately.
• Welcoming diverse individuals and perspectives.
• Striving to build an environment free from harassment, discrimination, bullying and violence.
• Setting and respecting personal boundaries and engaging in consent-based interactions.
• Acting ethically and transparently.
• Demonstrating leadership in our industry.
• Actively engaging in on-going learning and training opportunities.
• Holding ourselves accountable when we make mistakes or fall short of these goals.

Six Shooter is committed to working collaboratively with our artists, crews, contractors and service providers to resolve incidents, conflicts and issues under the Code of Conduct. We will do so by engaging in respectful dialogue that prioritizes the wellbeing of our artists and employees; and by sharing resources, training, and materials when it is requested or needed.

We encourage those working within our community to join us in acknowledging and upholding these goals and guidelines.



Elliott BROOD announce their return to Six Shooter Records, home of the trio’s early breakout albums, with their seventh album, Keeper 마메 게임 모음 다운로드. The title, which speaks to loyalty and longevity, sets the tone for an album that explores the strength of conviction, and how that strength is tested over time dokuro apk 다운로드. Thoughts of worthiness and dedication, and their emotional flip sides, inform a collection that sees the history-minded band exploring battlefields much closer to home 페북 앱 다운로드.

For the first taste of Keeper, a bright acoustic intro bursts into the buoyant, carefree chorus of “Stay Out,” a song about when and why we find our ways home 야구게임 다운로드. Mixed by Ryan Hadlock (The Lumineers) and engineered by Daryl Neudorf (Neko Case), “Stay Out” is all blue sky and sunshine even while it revels in the night AutoCad 2014 free download. The song weighs the fleeting elation of recklessness against the deeper ties that bind.


The subject of family relationships, the push and pull of gratitude and conflict, reappears in more complicated forms with “Full of Wires,” a song about not leaving things unsaid, and “A Month of Sundays,” the fallout after too much is said. Keeper is especially focused on enduring, complex, long-term relationships, those into which we are born, those in which we grow older.

With dips into 50s slapback throwback in “No Way Out,” the metallic edges of “Bird Dog” – one of two songs mixed by Sylvia Massy (Tool/Johnny Cash) – and the splashes of synth on “The Coast,” Elliott BROOD continue to expand their sound beyond their acoustic origins. Keeper, created during mini writing and recording retreats while hopping across the summer festival circuit, marks another satisfying chapter in the ongoing evolution of Elliott BROOD.

Keeper will be released on September 18, 2020 on Six Shooter Records.

1. Bird Dog
2. Stay Out
3. No Way Out
4. A Month of Sundays
5. Full of Wires
6. Oh Me
7. Merciless Wind
8. Out Walkin’
9. Need To Know
10. The Coast


Love Your Self in Seoul Download

Nate Hilts and Co Download baidu app. brought an energy and sparkle with “Diamond Ring,” lifted from their award-winning third album.” – Billboard

The Dead South celebrated their second JUNO Award win for Traditional Roots Album of the Year last night, announced in a virtual awards show that also featured the bluegrass quartet performing at an empty venue in Saskatoon, Saskatchewan, the intended host city Ms edge. As displayed on the marquee at the start of the clip (JUNOS 2020 CANCELLED), this year’s event took a much different form.

Sugar & Joy, the band’s third full-length album, was recorded in Sheffield, Alabama and helmed by Grammy winning producer Jimmy Nutt 나눔고딕코딩 다운로드. To celebrate their JUNO Award win, The Dead South share a video from the vault for “Alabama People,” filmed on location at The Nutthouse and around the Muscle Shoals region Samsung genuine firmware download.

Watch the video below.


“Ibrahim’s eclipsing talent has been tenaciously honed outside of the pressures of a homogenizing industry that would benefit from making her its star.” Anupa Mistry, Pitchfork

“Knotty, futuristic, and genre-shifting R&B.” – Jordan Darville, FADER

“Futuristic soul at its best” – Afropunk

Zaki Ibrahim revisits her candescent, joyous debut EP Shö (Iqra in Orange), originally released in 2006, with a new companion recording Shö Live in Toronto, both available to stream worldwide for the first time on Friday, June 26, 2020 Fifa 2002 World Cup.

“Sunrise,” out now from Shö Live in Toronto, speaks of love, reassurance and renewal. “‘Sunrise’ was originally recorded as a collaboration with South African House Producer DJ Kent. In 2014, a few days after my dad’s passing, I was scheduled to be on tour and in Egypt I first performed an extra-slow arrangement of the song that I could barely finish (my sisters who joined me on tour, Tanika Charles and Pebbles Gqunta, finished the song for me) 무비 메이커 한글판 다운로드. It felt like a prayer for his transition that day and from that moment on, the song, to me, seemed to serve as a bridge between worlds,” says Ibrahim of the song’s transformation Download Alosti.

The tender performance finds Ibrahim’s sublime musicality gathering strength from deep within and all possible worlds beyond. “The performance in Toronto brought that moment back in such an intense way, as I had not seen many of some of my oldest friends in what felt like huge chapters of life,” remembers Ibrahim. “It was a beautifully raw and emotional moment Drastic I could feel the room crying with me, in a way we were all transported back to that marble outdoor theatre in Egypt, 5 months pregnant, singing my dad on his way to the other side.” 

Throughout Ibrahim’s extensive and impressive catalogue, to be rereleased in full by Six Shooter Records in the coming months, Ibrahim’s artistic approach is shaped by vivid, vibrational multitudes of sound. Recent projects have seen Ibrahim expand her creative outlets, from composing an original score to Finding Sally, a documentary by Tamara Dawit about a young woman who joins the Ethiopian People’s Revolutionary Party, to guest vocalist appearances on South African house producer/DJ Jullian Gomes tracks and remixes Warm Bodies.

Click here to listen to ‘Sunrise’ and watch the video.