The Deep Dark Woods share “How Could I Ever Be Single Again?” from forthcoming album Changing Faces rt jar 다운로드.

Watch / Listen here Epitone.

Changing Faces, out May 14, 2021.

The Deep Dark Woods share another song from forthcoming album, Changing Faces, out May 14 Yoma One. An album standout, “How Could I Ever Be Single Again?” haunts with a gently lilting lament. Inspired by Irish waltzes and featuring contributions from Kacy & Clayton, the song is a still-watered pool of reflection, a question that comes with its own answer 전국블레이드 다운로드.

“How Could I Ever Be Single Again?” arrives with a video directed by Craig Range, who also created the video for “Everything Reminds Me,” a Vimeo Staff Pick Download the app app. Featuring the emerald lagoons and everytown motels of Lillooet, British Columbia wrapped in a hazy 70s glow, the video translates the song’s sorrow into the director’s own experiences with loss due to overdoses, which have surged during the pandemic sand 다운로드. “I wanted to make something that touched on the ongoing tragedy many face as the opiod epidemic continues unabated. I lost coworkers and friends. They were young men in the prime of their lives Ied Tekbon which is a nom. It was something I wanted to address in an empathetic way.”

On Changing Faces, The Deep Dark Woods’ fifth album, you will be surprised by how gradual yet complete a turn the band has made from cabin cozy jam band to pan-Atlantic folk revivalist collective 휴대폰 크롬 동영상 다운로드. Lead songwriter Ryan Boldt’s delicate melodies and metallic-stringed bite rattle centuries-old folkloric ghosts and personal demons alike. The Deep Dark Woods is a vessel for Boldt and frequent collaborators, Kacy & Clayton, Evan Cheadle and Geoff Hilhorst, among others, to find their own vocabulary for translating traditional folk forms – Irish waltzes, Broadside Ballads, ominous lullabies – to contemporary electric terms Download the Captain America Civil War Korean subtitles.





Click the photo to watch the video!

Brand new artist Boy Golden details Church of Better Daze – song, album and frame of mind – today with his first released music 수호지 게임 다운로드. Listen to the jangly, galloping title track to his debut album and a bonus post-Amen reprise, an irreverent nod to blessings long and less-than-2-minutes alike, “Eggs Benediction” here 포스터 프린트 다운로드. Together, the double offering swings open the doors to Boy Golden’s budding congregation, and you’re welcome too. “The Church is both the place I go when I’m creating and the place I hope to offer to my community,” explains Boy Golden EuroTruck2. “It’s an inclusive place that is about being present with what is, and making quality music.”

“Church of Better Daze” arrives with Boy Golden’s first video, a mini gonzo adventure-comedy (and accidental medical drama) that introduces the artist, his 1995 Toyota Previa, and his friends and fellow Better Daze-rs Brother Roman, Mama Tizzy and Ooly 3d max 2011 다운로드. Directed by Martin LaFrenière, who situates the vibe “between Fear and Loathing in Las Vegas and a country-fried / laid back version of Matt Foley, living in his van down by the western canadian prairie,” the “Church of Better Daze” video is also a friendly homily on fellowship as a mobile concept Run. Where Boy Golden rolls, the Church rolls.

With “Church of Better Daze” and “Eggs Benediction,” Boy Golden also details his debut album, confirming its release date, July 16, 2021, full track list and album art, designed by fellow Winnipegger Austin Boulton aka Basement Lagoon 쿼리도 다운로드.

Apply for your membership at the Church of Better Daze here or text +1 450 800 2205 to join Pobyden Ground Download. New members will receive a welcome package from the Founder and Minister himself, Boy Golden.

Six Shooter Records will release Church of Better Daze July 16, 2021 farewell taxi.


  1. KD And Lunch Meat
  2. Something to Work Towards
  3. Baby Blue
  4. Church of Better Daze
  5. Eggs Benediction
  6. A Little Space
  7. I Wanna Know
  8. Smoke On The Breeze
  9. Any Way It Works
  10. The Year That Clayton Delaney Died
  11. To Be You, Tonight



Boy Golden has a purpose: enjoy each day and make good music Naruto Games 2. Founder and minister of The Church of Better Daze, he wants to help people seeking to improve on yesterday’s themes. His songs, like hymns, are hopeful, fresh and upbeat. Redefining jam band and stoner cultures by turning dead heads into lively brains, Boy Golden wants to unite us all in a hazy dream under one roof. If you’re open to learn, and can speak your truth, you can blaze and still get paid in Boy Golden’s Church of Better Daze.


L-R: Andrea Aguilar, Meghan Borthwick, Julian Staniewski

Six Shooter Records joyously welcomes three talented, inspiring new staff to the label, including Andrea Aguilar who joins as the new Director of Digital Strategy and Marketing, Meghan Borthwick as Marketing Department Coordinator and Julian Staniewski as Operations Manager Download the car game. Long titles, but the short of it is that the label has again leveled up in capacity, capability and creativity.

As Director of Digital Strategy & Marketing, Aguilar will focus on continuing to build the label’s toolkit to navigate the challenges and opportunities of the digital space 뉴이스트 여보세요 다운로드. Aguilar, founder of digital marketing company A Squared Creative, is already a known force on the Toronto scene with her energy and impressive ability to pinpoint and amplify compelling narratives in an ocean of artist data 널 사랑하지 않아 mp3 다운로드. In related news, Six Shooter is still in hiring mode, this time for a Social Media Coordinator under Aguilar’s direction. Fantastic candidates should click here theme hospital.

Borthwick, who many Canadian music industry and media members will recognize from her time at the Polaris Music Prize, joins the team in a newly created role as Marketing Department Coordinator mac docker. Working closely with VP Marketing Emily Smart, Borthwick will support the label’s ever-growing department with her outstanding organizational skill set Latest 2019 May download.

Staniewski, new to the position as full-time Operations Manager, began his work with Six Shooter in late 2020. Staniewski builds on his valuable knowledge of the live realm with this new focus on label operations, under the direction of Sarah Sleeth, Director of Operations Sketchup 2016 Korean Edition.

While Aguilar, Borthwick and Staniewski arrive at Six Shooter Records from different paths in the music industry, all three have intelligence, enthusiasm and expertise in common 이모디오 언어팩 다운로드. Six Shooter Records is very pleased to welcome them all to the team.

“It’s a thrill to make this announcement,” says VP Marketing/Publicity Emily Smart 스프링 게시판 다운로드. “Andrea, Meghan and Julian have already found their strides and made our heads spin; they immediately became essential to our team. We can’t wait to all meet in person at some indeterminate point in the future.”


Being a college dropout was definitely never the plan; however, at the end of 2015 the Mexican-Vancouverite decided that being a hydrologist was not quite the future she had in mind sound effects collection. Having been a music lover and a singer-songwriter for most of her life, Andrea decided to move to Toronto to pursue a career in entertainment.

With a strong science and music business background, she was able to marry two unlikely worlds to form her marketing agency, A Squared Creative (A2C). Her drive and passion for the field has led her to work with clients such as Serena Ryder, STARS, Haley Blais, Jonathan Roy, Tim Baker (of Hey Rosetta!) and Choir!Choir!Choir! to name a few.

Excited to embark her new journey at Six Shooter Records, Andrea brings her expertise to one of Canada’s most prolific indie labels.


Meghan Borthwick has forged extensive pathways in arts organizations across Canada, beginning 8 years ago with her volunteer work at just about every music festival in Toronto. A graduate of Humber College’s Arts Administration & Cultural Management program, Meghan began her professional career in events with Polaris Music Prize, where she worked with a medley of artists teams and assisted with the orchestration of the 2016 and 2017 Polaris Music Prize Galas.

She continued her passion for supporting emerging and established artists by moving across the country to work in production for Canadian and international performing arts residencies at the world-renowned Banff Centre for Arts & Creativity, and is now looking forward to an exciting career in marketing with the incredible team at Six Shooter Records.


Julian Staniewski, a graduate of the Harris Institute’s 2016 Class, was working as Marketing Manager with Embrace Entertainment until last year. Alongside artist management and agency teams, Julian used his passion for live music and his general insight into the concert consumer to coordinate hundreds of marketing campaigns around major international and debut tours alike.

With the sudden and indefinite postponement of live events, Julian enthusiastically joined the Six Shooter Records team in November part time, and is now excited to bring his industry experience to the Operations team in a full time capacity.


Established in 2000 in Toronto, Six Shooter Records is a full-service music company with a diverse roster that includes artists in the genres of Americana, country, rock, and avant-garde Cheerleading download. In addition to being a label and a publisher, the company also provides artist management services. Since its inception, Six Shooter has released over 140 albums Mirror free download. Our artists have been consistently recognized in national award programs, including the JUNO Awards, Polaris Music Prize, SOCAN Awards, Canadian Folk Music Awards, and others Manual Windows 10 update.

Ours is a fast-paced, friendly environment with an enterprising culture. We seek a new member of our marketing team, who will be key in performing day-to-day social media duties egg is broken 다운로드. Responsibilities will be as follows:

– Execute and help plan social media content across platforms that are consistent with the company’s brand and artists’ identity
– Coordinate the creation of consistent, meaningful content on all social media platforms, including writing and editing social media posts 성주 동영상 다운로드. Work closely with Artist in Residence and Creative Content Manager to curate content (videos, graphics, etc), improving customer engagement, and promoting social media campaigns
– Manage a high volume of daily social media posts across label + artist socials
– Assist in scraping and gathering of social media analytics for reporting purposes
– Execute community management, which includes communicating with social media followers via direct messages, responding to comments/retweets in a timely manner
– Manage social influencer programs and attend social influencer events
– Curate Apple and Spotify playlists, refreshing Spotify Six Shooter Essentials playlist and sharing links
– Assist in the community engagement on Artist and Label socials (YouTube, Facebook, Instagram, Twitter)
– Updating the Six Shooter Records website news section when needed
– Manage / create GIPHY links and content in collaboration with Artist in Residence/Graphic Designer
– Suggest recommendations to adjust the social media marketing strategy for optimal results
– Staying up to date on best practices and emerging trends in social media
– Format existing graphic and video creative into various formats for digital and print campaigns
– Assist in brainstorming and implementing exciting new online content
– Collaborate on the strategy and development of marketing plans for priority label projects
– Assist the Management Team with the communication of artist Socials (sharing links, press, important events and information)
– Assist with development and execution of contesting and promotions
– Assisting with grant applications and completions for both the label and management clients as requested windows vista 다운로드. Including but not limited to: proofing copy, gathering marketing material examples, collaborating on marketing development plans
– Other duties as required Net 3.0 download.


– Experience in the Canadian music industry for 2+ years
– Proficiency with top social media platforms (e.g, Facebook, Instagram, TikTok, YouTube, Twitter, etc.)
– Exceptional attention to detail, solid time management skills and the ability to multi-task and prioritize, while staying ahead of deadlines in a fast-moving environment
– Ability to work independently and in a team environment, a self-starter
– Excellent creative copywriting skills
– Excellent interpersonal and verbal communication skills
– Proficiency in MS Office, Google Suite, Dropbox, Slack, Social Sprout, Facebook Business Manager and YouTube Studio wild cards.

Nice to Haves & Attributes:

– Education related to the music business or digital marketing
Basic knowledge of Adobe Suite of products and Notion
– Optimistic with positive energy and outlook
– Passionate about music and social media
– Thrive in a fast-paced and dynamic environment; a team player, willing to pitch in whenever needed

Job Specs:

Position: Social Media Coordinator
Reporting to: Director of Digital Strategy & Marketing
Hours: Monday-Friday 10:00AM – 6:00PM
Location: Temporarily remote, due to COVID-19 (EST time zone hours) gms. Toronto, ON post-COVID.
Compensation: Salary range from 40K-50K to be determined commensurate with experience, and health benefits Golf Man.
Application Deadline: April 30, 2021

Please apply via the “Apply Now” link here.

No phone calls please.

We invite applications from all qualified candidates, especially from people who identify as racialized, Indigenous, differently abled, and persons of any sexual orientation or gender identity. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disabilities Act for applicants invited to an interview.



Learn and Burn: Boy Golden hosts “Roll With Tokyo Smoke” Virtual Workshop on 4/20 samsung phone. Join here Please this.

Six Shooter Records is thrilled to welcome Boy Golden, a new artist from Winnipeg, MB, to the label. A chrysalis in a 1940s lemon lounge suit, Boy Golden is poised to emerge fully formed from the pandopolis deep freeze with his charismatic vision of good vibes, even in hard times korean history textbooks. A charming dealer of laid-back devil on your shoulder advice for life, Boy Golden’s worldview is located somewhere between ‘work hard everyday’ and ‘quit that job!’ With a soundcloud link and a 1995 Toyota Previa-sized personality, Boy Golden has signed a multi-album deal at one of Canada’s most singular and discerning record labels Free the report.

“Our love affair with Winnipeg is long and rich, and we are beguiled with our latest discovery from this Great City,” says Six Shooter Records President, Shauna de Cartier Return. The company’s connection to Winnipeg’s music scene runs deep, from the early days of Luke Doucet’s solo career to Interstellar Rodeo (Beck!), to William Prince and the handful of Six Shooter staffers who call Winnipeg their home 교보문고 이북 다운로드. “From the first song I heard by Boy Golden, I was instantly swooning.  It was love at first listen.”

Boy Golden will release new music in the coming months, starting with the title track from his forthcoming debut album, The Church of Better Daze, arriving – naturally – on 4/20 Solaris top download. Celebrate and educate alike on this day by joining Boy Golden for a live virtual rolling workshop in partnership with Tokyo Smoke. Sign up here 헬릭스 점프 다운로드. Get ready with Boy Golden’s inaugural artist-curated playlist, SPLIFFSZN Download the dodo file.

Everyone is welcome at The Church of Better Daze movie Yin Yang. “The partnership with Six Shooter Records has been absolutely crispy so far,” says Boy Golden. “They are even helping me repair the church’s leaky roof.”

Restrictions on cannabis messaging prevents us from detailing exactly how much fun you’ll have with Boy Golden’s debut album, The Church of Better Daze.



Boy Golden has a purpose: enjoy each day and make good music. Founder and minister of The Church of Better Daze, he wants to help people seeking to improve on yesterday’s themes. His songs, like hymns, are hopeful, fresh and upbeat. Redefining jam band and stoner cultures by turning dead heads into lively brains, Boy Golden wants to unite us all in a hazy dream under one roof. If you’re open to learn, and can speak your truth, you can blaze and still get paid in Boy Golden’s Church of Better Daze.


Written by David Morrison

Being useless at everything else and because music is on my mind as many hours per day as koalas are asleep, I’ve spent the majority of my working life cheerily toiling away in record stores silver-haired baby toe. Thirteen years into my employ at the fabled Fascinating Rhythm in Nanaimo, BC, that situation – and, essentially, my music retail career – ground to an unceremonious halt upon the declaration of this godforsaken pandemic Download CartoonWars 1 ios.     

Oh, how I miss my regular customers and yakking day in, day out with them about the artform that is fundamental to my role on this beleaguered pale blue dot Free Photoshop Action. I also miss the buzz of random visits from artists I admire, such as Ryan Boldt, a scholarly roots music fanatic and the beating heart of recherché folk dreamers, The Deep Dark Woods 볼륨 부스터 다운로드.

Like myself, Ryan is a melomaniac: for he and I music is far above even a passion – it’s an intrinsic need. We now reside on opposite coasts, but when living on Vancouver Island he’d sporadically swing by between tours and recording to spend goodly time flipping through racks, rifling through boxes, and poking about the store’s dusty corners in search of rustic melodious treasures 배드피기즈 다운로드. Satisfied with the day’s findings, flashing a scratchcard winner’s grin he’d present me with a stack of arcane folk, bluegrass, old-timey, country-blues and gospel vinyl for purchase, then off at it we’d go…yak, yak, yak, music, music, music. He knows his stuff and I know mine, so our mutually enthusiastic exchanges flowed like whitewater. 

I dearly miss such simple, yet now inestimably valued interactions with Ryan and so many like him during the course of those working days, so how apt it is in this challenging time that the exquisite first single from The Deep Dark Woods’ forthcoming album, Changing Faces, is a pining contemplation on separation from a loved one, and the deep yearning for reconnection. In the same hankering spirit of his legendary compatriot Gordon Lightfoot’s classic “Early Morning Rain”, Ryan’s “Everything Reminds Me” is a stark chamber-folk song of haunting beauty, enhanced by melancholy strings arranged and performed by Maria Grigoryeva. Directed by the award-winning Craig Range, the intimate accompanying video shows the family of a friend of Ryan’s, rugged prairie folks going about their day in the isolated Saskatchewan hamlet of Cardross. Underscoring our innate need for closeness and community at a time when we’re so deprived of it, with dignity and quiet defiance the poignant short film also emphasizes that even the most mundane moments of any given day all add up to something far greater in life’s considerably grander scheme, should we care to look for them. Every moment, every second is precious, people; use them well.

Watch the video for “Everything Reminds Me” here.



New video for “Everything Reminds Me” adds small daily rituals up to something big and beautiful. Watch here 데드라이징3 다운로드.

Photo credit: Rima Sater

It wasn’t easy when I think about it
Living in the house of changing faces
David Blue 

“The air in the house is different now,” says Ryan Boldt, the creative force behind The Deep Dark Woods movie affinity. Boldt’s house is now full of pets and plants, and happiness. It’s a house by the ocean, far from the rural prairie landscapes of his childhood and a defining feature of The Deep Dark Woods’ sound and lyrics 월드오브워쉽 아시아 다운로드. The house is also an emotional dwelling, an inner place for processing upheaval, finding new direction and making peace with the past. On Changing Faces, The Deep Dark Woods’ sixth album, Boldt works through the complications, unique to him and recognizable to many, of leaving one place for the next Download Dow Office Messenger.

The bittersweet melancholy of new song “Everything Reminds Me,” is brought into focus with its accompanying video, out today. Directed by Craig Range, the video reminds us, in fact, that all of life’s small daily rituals add up to something profound and beautiful movie assassination free. The addition of strings, arranged and performed by Russian composer and violinist Maria Grigoryeva, carve the song’s deep longing with graceful swells and swirls. 

On Changing Faces, you will be surprised by how gradual yet complete a turn The Deep Dark Woods have made from cabin cozy jam band to pan-Atlantic folk revivalist collective. Boldt’s delicate melodies and metallic-stringed bite rattle centuries-old folkloric ghosts and personal demons alike. The Deep Dark Woods, a band with few fixed members, is a vessel for Boldt, keyboard wonder Geoff Hilhorst and frequent collaborators, Kacy & Clayton and Evan Cheadle, among others, to find their own vocabulary for translating traditional folk forms – Irish waltzes, Broadside Ballads, ominous lullabies – to contemporary electric terms. 

Throughout Changing Faces, there is a push and pull between place and placelessness. In the modulated Farfisa churn-up of 50s doo wop on album opener, “Treacherous Waters,”  and the dizzying experimental pastoral voyage of “In The Meadow,” arrangements layer the familiar with the disorienting. Lyrically, the homesick headspin of “When I Get Home Tonight” explores the feeling of not knowing where you belong. With Changing Faces, Boldt arrives in a new place, the culmination of a project both historical and personal. 

Changing Faces arrives May 14, 2021 on Six Shooter Records.

1. Treacherous Waters
2. How Could I Ever Be Single Again
3. My Love For You Is Gone
4. Anathea
5. When I Get Home Tonight
6. Everything Reminds Me
7. In The Meadow
8. Yarrow

Originally from Saskatchewan and now based on the east coast of Canada, The Deep Dark Woods take up a deep tradition of forlorn storytelling, drawing lines from Celtic folksongs to country blues, John Fahey to Shirley Collins. Lush and devastating, Boldt’s gothic surrealism is stark in detail and full of emotion, a murder balladeer for our time. 
Following their JUNO nominated album Yarrow (2017), Changing Faces is The Deep Dark Woods reimagined. Produced by Boldt, the new album also features touring companions Kacy & Clayton and the guitar stylings of Evan Cheadle. 


“A trippy Harold Edgerton moment for the 21st Century.”

Watch Whitehorse perform Modern Love at Toronto’s Horseshoe Tavern Friday, March 26 Download children's children's book.
Live stream tickets here 워드프레스 무료 테마 다운로드.

Whitehorse’s “I Wanna Make Promises (That I Can’t Keep),” is a loping, laidback wishful think, travelling from aisle 9 to cloud 9 and back again 연세대학교 프로그램 다운로드. Today, the song gets an absurdist, mad scientist video treatment, shot in ultra slo-mo, that makes art out of all of the awkward milliseconds, reflexes and micro cringes that go unseen in reality’s standard frame rate Download the Ainabi map.

Directed by Six Shooter’s Artist in Residence Lyle Bell (currently a JUNO Award Album Artwork of the Year nominee for July Talk’s Pray For It), “Promises” video is the evolution and culmination of Bell’s vision for Modern Love’s visual aesthetic, not to mention the product of Six Shooter’s highly creative in-house Art Squad 너의 목소리가 보여 다운로드. “The band had done street photos with a massive balloon, the balloon being my idea of a metaphor for “modern love,” says Bell. “It’s beautiful but delicate. Once it pops it’s gone for good!”

“I thought about extreme slow motion videos on YouTube and how it would be cool to capture the definitive ‘pop’ moment with a Phantom camera,” shares Bell. “I was highly inspired by Harold Edgerton’s mid century bullet-time photography (Three Balloons) and I wanted an album cover to be a modern and dynamic version of this. The Promises video, shot at the same time as the album art, is this concept taken two steps further with balloon explosions, 40 pounds of glitter and samurai swords. There is no narrative, it’s again a colourful metaphor for how love can be beautiful and messy at the same time. A trippy Harold Edgerton moment for the 21 century.”

“I Wanna Make Promises (That I Can’t Keep)” is found on Whitehorse’s new full-length album, Modern Love, released last week. The first collection co-produced by the duo, Modern Love looks unflinchingly at the fantasies and realities of romance; how easy it is to get our wires crossed in the wireless age. Impressionistic, ambient and diffusive in sound, Modern Love’s sound taffy pull strings, surf-in-a-seashell guitar tones, and gauzy, hushed vocals.



Written by Tabassum Siddiqui

Do you feel like a relic in a new age telnet.exe? Caught between an appreciation for the innovation of the digital era and a nostalgia for the tangible nature of something maybe a little more analogue Download the body of the body?

For me, Whitehorse has always nailed that feeling with their music, which nods to the past while still feeling fully in the present. Not an easy balance to pull off, mind you 오토캐드 2014 무료 다운로드. But balance is key to what they do – two halves coming together as one, the tough and the tender, the quiet and the loud.

So perhaps it’s apt that Luke Doucet and Melissa McClelland are bringing us their new album during a strange new age that’s knocked us all a bit off balance – not to mention one that’s dragged us firmly into living our lives online… whether we like it or not server certificate.

“But somehow I prevailed/It’s evolutionary,” Melissa sings on “Relic in the New Age,” which tempers its cynicism with a glimmer of hope – and Whitehorse’s signature silken him/her harmonies CoolEdit download.

While other couples might be getting sick of each other while stuck at home, and many of us have felt anything but creative when facing yet another Zoom call, Doucet and McClelland used this time to evolve their sound – and their musical partnership – yet again, maintaining their Western noir vibe while updating it with razor-sharp production and sweeping strings (fans who were blown away at their 2019 concert with the Toronto Symphony Orchestra in the Beforetimes will find plenty to appreciate here).

We turned to music for solace long before lockdowns and personal connections gone virtual, but hearing a song like “Radio Silence” resonates with our current state of longing in a way that at once aches yet reassures:

So who do I turn to
Where do I go
When I need some contact
Someone to hold

If there’s anything living through this time has taught us, it’s that what matters most is those we love – in whatever form that lives in your heart – whether that’s your partner, your family, your community or beyond.

The cover of Modern Love features Whitehorse hidden behind a bullseye – in offering up their musical tales of all-too-human encounters amidst an algorithmic age at a time when we really need them, they’ve more than hit the mark.


Listen to their first single, “I Wanna Make Promises (That I Can’t Keep)” 맥 문명 다운로드.

Get tickets for Whitehorse’s album release show at The Horseshoe Hootenanny (live stream) on Friday, March 26, here

Introducing Modern Love, the latest edition from dual-booted songwriting CPU Whitehorse 카오스차일드 다운로드. Designed for life at 25,000 frames per second, Modern Love offers premium processing and emotion-capture capabilities. Optimized for low-light conditions, Modern Love’s intuitive UX creates a fully immersive experience of interpersonal harmonics in ultra rich waveshape sonics Soiel Praise. Each Modern Love OS comes complete with experiential FAQ database, ex.: Do you smell trouble? Do you want some?  

With life’s burst bubbles and crossed wires detailed in hi-def, Modern Love launches with “Prototype,” an atmospheric tribute to DNA one-of-a-kindness, strung with Lonely Hearts Club swells Nabiya song. Coded with themes of human glitches and emotional reboots, the beach tones of “Relic In The New Age” and ballad-type “Radio Silence,” interface between machine-enabled and machine-resistant human relationships. Modern Love is Whitehorse’s blueprint for love in the Digital Age 윈도우 구독자 다운로드.

“I Wanna Make Promises (That I Can’t Keep”), a loping, laidback fantasy 404, buzzes with electrostatic escapism for jolted, jilted ideas. “Promises” exposes all of the micro aches and urges that usually go unseen. Rare duet “Best Bet,” and all songs after that, further expose the collections’ emotional motherboard, a nest of circuitry carrying the curses and cruxes that muddle our signals to one another. Album closer “Pollyanna,” channels Greek mythology to modulate a chorus of unheeded disaster warnings.

Assembled at Taurus Recordings, a professional facility in Toronto, ON, Modern Love was hardwired by Luke Doucet and Melissa McClelland, with additional component parts by Thom D’Arcy (string arrangements), Fred Eltringham (drums), Gus Van Go (bass on “Promises”), Robin Hatch (wurlitzer, mellotron) and Drew Jurecka (string performances).

With Modern Love, Whitehorse continues to tell their love story, if not the one they expected. Modern Love will be available on Friday, March 19. 


1. Prototype
2. I Wanna Make Promises (That I Can’t Keep)
3. Relic in the New Age
4. Radio Silence
5. Middle Earth
6. Liar Liar
7. Best Bet
8. Interlude
9. Run Run Run
10. I Can Only Imagine
11. Polyanna
12. Outro


Since their debut, Whitehorse has traveled from magnetic folk duo to full-blown rock band and beyond. In truth Whitehorse is never fully either one or the other, but an ever-evolving creative partnership that challenges both artists, Melissa McClelland and Luke Doucet, to explore new instrumental and lyrical terrain with each record. Steamy, swampy and squalling in equal measure, Whitehorse’s signature sound is guitar-heavy, harmony-abundant and lyrically deft. 

Now, the JUNO Award winners return with Modern Love, their first co-produced full-length album since the pink pop kink of Panther In The Dollhouse (2017). Most recently, Whitehorse expanded the intergalactic blues library with a second instalment of The Northern South project, performed with the Toronto Symphony Orchestra, gave Massey Hall a birthday to remember, and stayed at home in 2020.



In a previous edition of The Horizon Line, Anupa Mistry perceptively wrote that through Zaki Ibrahim’s music “it’s possible to access the version of Toronto that, perhaps, only exists as a feeling 포커스 자막 다운로드. Zaki’s music is an atmosphere unto itself.”

It’s a sentiment with which I wholeheartedly agree and it transports me back to the night of my initial unwitting encounter with Ibrahim’s The Secret Life Of Planets 비상연락망 양식 다운로드.

In a beforetimes environment that now almost seems fantastical given the paucity of live in-person shows over the last year, it was a night that among reflection of my countless live experiences stands out in all its admittedly fuzzy glory YouTube High Quality Download.

A lot of that had to do with the crowd that was in attendance. The November 4, 2015 show took place at the now-defunct Tattoo on Queen St 두산베어스 응원가 다운로드. W. and Ibrahim was headlining a show with longtime Toronto experimental electronic duo LAL heralding a ‘live preview of unheard and unreleased music!’

Presented by The Main Ingredient, which at that time was a monthly night at Toronto’s Revival, conceived by the irrepressible Jesse Ohtake, the people in attendance were intuitively curated longtime adherents of Zaki Ibrahim’s visually sumptuous live shows and performances Free GenieMotion. But, there was something particularly special about the atmosphere in the room that night. The lip service that can often apply to words like diversity and multiculturalism in Toronto was jettisoned in favour of unapologetically and organically centring a genuine safe space, a version of the city as a ‘feeling’ that Mistry describes. I actually remember saying to one of my countless acquaintances/’weak ties’ [view article via The Atlantic] I ran into that night, something to the effect of “This really feels like Toronto.”

Amongst all of this, the show could have felt like an afterthought, but Ibrahim has always upped the performance and sartorial ante, with co-conspirators like Alister Johnson and Casey MQ wearing sharp white suits and visors. But for me the highlight was a new song that halfway through, broke down into a refrain that almost sounded like a children’s choir.

The purity of the vocal arrangement was transfixing and ethereal and lasted for what felt like an eternity. After the concert, that moment from that then-unnamed song stuck with me and would occasionally float back into my head. It wasn’t until January of 2018  — over two years after that show —  when The Secret Life of Planets was first released that I could identify the song as “Cut Loose.” 

From my perspective as The Secret Life of Planets is being re-released this week, “Cut Loose” is fittingly the new video that brings the sonic journey of the album to a close. As I wrote in an article about the album at the time of its release,  the hypnotic coda of “Cut Loose” sounded futuristic and retro at the same time (note the sly, fleeting allusion to Dennis Edwards’ 1984 R&B hit “Don’t Look Any Further” and every time I hear the song, it brings me to a past moment in time that I hope will be our future.




WATCH “CUT LOOSE” HERE Python urllib file.

“A vintage soul and R&B feel to it, with sprinkles of both nostalgia and future by way of synthesizers and 808s.” – okayafrica

“Despite its title, Planets is less liturgical science fiction and more soulful and sublime, focusing on the cosmos of human experience.” – Pitchfork

Photo by Josh Rille

The journey through Zaki Ibrahim’s expansive catalogue concludes with 2018’s The Secret Life of Planets, available worldwide on Friday, March 12 make it right 다운로드. From the stomach-flipping dives of “Dangerous” to the night sky echoes of “Galileo,” The Secret Life of Planets is essential Zaki Ibrahim listening. 

Ibrahim’s masterful, boundless album arrives with a never-before-seen video for “Cut Loose,” filmed in Ellis Park Stadium’s Tennis Club, in Johannesburg editplus2. The clip, edited by Ramon Charles, intercuts footage from 80s and 90s apartheid-era South Africa alongside portraits of ‘‘test subjects” who represent a multitude of possibilities 자명종 다운로드. The video delivers a message of the mind’s power to shift perspectives, movements and outcomes to break down oppressive societal constructs. Let go of assumptions and expectations to ‘find the star that you are 뱀파이어 헌터 d 다운로드.

The Secret Life of Planets, a synthesis of worlds ending and beginning, was produced with frequent collaborators Alister Johnson and Casey MQ. The album showcases Ibrahim’s many-layered vision of sound and story. At the time of its original release in 2018, Planets may have seemed, to critics and to Ibrahim herself, a statement on closure, the two halves of the mourning and joyful self made whole. From this vantage in 2021, Ibrahim has reassessed the healing process and now considers The Secret Life of Planets as only the start of this journey.

There’s a standard narrative that an artist releases an album, but for Zaki Ibrahim it seems the reverse is true. For an artist who is known for her multiplicity of influences and identities, absence from one scene is in fact presence in another. The difference between departure and arrival is simply a matter of perspective.
Throughout her career, from Vancouver to South Africa to Toronto and many points in between, Ibrahim has worked against the encroaching systems and machinery that would limit or dilute her vision. Ibrahim’s work pushes back against binaries, against reductiveness, against the clenching muscles of expectation. “Planets isn’t just a product of black American or South African music styles; its multiple identities make it distinctly Canadian,” writes critic Anupa Mistry for Pitchfork. “It’s the work of an optimist whose voice wasn’t silenced by the confines of an unimaginative industry; it’s expansive in effort, and by sheer existence.”
Ibrahim’s music brings elements of spoken word, hip hop, soul, house and 70s pop together, filtered through the prismatic and often contradictory lenses of personal, historical and scientific relativities. On stage, Ibrahim delivers theatrical, intricate configurations of bodies and ideas built on a contrast of sharp precision and untethered joy. Ibrahim aims to find space for spontaneity within the parameters of structure; in the same way that her music explores non-linear models of time and space, Ibrahim’s performances are designed with fluidity and recombination in mind.